One might be weary of flesh. One’s own, another’s. Flesh of neighbor, stranger, passerby. Flesh of the real or the imagined lover, or secret flesh that mind and heart deny. One might be shut of it, freed from the nerve, but flesh is merciless, confines us, binds us to our servitude to cleft and curve. Even You have been a slave to this, true Spirit, on that wild night, delirious, piercing the meat of life. And since? Scandal to our atoms when flesh, merging with flesh, happens on You in single, paradoxical bliss. Perhaps all earth shall plunge toward sun, savage with desire to be One.
Love, lust, forgiveness, remorse, tolerance, sin, violence and death—these are just some of the themes engaged in The ,Ballad of Jack and Rose. It’s the third feature film by writer-director Rebecca Miller (Personal Velocity, Angela), a former painter and actress who is the daughter of the late playwright Arthur Miller.
Indigenous women in Bolivia are hand-weaving a small device used to seal holes in the hearts of infants. The simple, inexpensive device, called an occluder, is made of a single strand of superelastic metal. It takes several hours to fashion. Designed by a Bolivian cardiologist, the device has saved the lives of thousands of children born with this condition. The incidence of this birth defect in La Paz, Bolivia, is ten times higher than in other places due to the high altitude. The occluder is also made for export (BBC News, March 29).