Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Film

Fake World

In M. Night Shyamalan’s faux gothic film The Village, a late-19th-century community lives in enforced isolation; the deformed, bloodthirsty creatures who inhabit the woods outside the village prevent access to the world beyond. What makes the film an imitation gothic is the double plot twist.
Poetry

Green anole at Middleton Place

As I stood, rooted, winter-locked, my hand
outstretched in southern sun, the lizard leapt
to the branch of my arm as if there was nothing
at all to fear. As if I was the tree he sought,
he rested, weightless, green as grass, pink
throat-fan ballooning with each small breath,
and I felt something ease inside, a sweetness
rising, as he ran, quick as raindrops, up my trunk,
toe pads tickling as he touched, oh so lightly, neck,
cheek, hair, like a blessing, or a prayer.
Film

Unsentimental journey

Seventeen-year-old Maria is a pretty Colombian girl frustrated with life in her small town. She has a monotonous job at a rose plantation; family responsibilities that eat up her paycheck; and a boyfriend who is content drinking with the guys and working as a mechanic.
Poetry

Washed

     For Carl Trovall

His fingers kiss the crown of my distress,
my tresses gently lingering in his hold
while frankincense makes dizzy unto death.
Newly blanched, the black ewe joins the fold

and what is sin of me is gone, released.
Oh wetly, I am held to this. Delight,
shines the cruciform pose of the priest.
There’s Jesus in his hands. The water’s white.



Poetry

The sailing

My mother lifts her blue-veined
   hand, “I’m ready to go.”
       She stares into the white wall,

which billows into a sail.
   Little boat of bones.
       In dream she is carried

by a swift river, wearing
   a red dress. Clear water,
       and I on the bank.

But she doesn’t see me.
   She has become one with motion.
       Even in water she is fire.