There are tracings in the snow-filled field, Tracks I see but cannot read; except the deer’s Small heart-shaped prints, the rest remains A mystery. And so, I think of Hebrew script, The jagged flame that writes of God, but Is not God, the scholars say. God dwells in White fire, not in black. In sky glimpsed Through dark winter trees, in breath-filled Silence when we pray.
Day of ColoursReal World Records, World music/QawwaliRizwan-Muazzam Qawwali The brothers Rizwan and Muazzam, nephews of the late Sufi singing great Nusrat Fateh Ali Khan, deliver a majestic album. Imagine the droning power of Gregorian chant melded with the expressiveness of blues shouters. With the simple instrumentation of harmonium and tablas, Colours addresses spiritual themes central to the Qawwali tradition. “Light of My Life,” a Persian song in praise of Allah, is particularly arresting.
In creating Revenge of the Sith, the third (chronologically) and final (cinematically) installment in the six-film Star Wars saga, George Lucas confronted a writing challenge unprecedented in movie history.
You can snarl and rage and roar and snipe at thugs and liars, Sure you can, and right you are for doing so, and you maybe Actually enjoy letting the lava soar out all righteously, right? But even so, there are lies inside you like viruses. You know What I am talking about; we don’t need to go into any detail. And we have been too familiar with a little thuggery, haven’t We? Not battery: You’ll say, rightfully, that you are innocent. No: I mean the times you knew about assault and battery, and Did zero. We just stood there. We pretend to be fascinated By something else that just happened to be happily elsewhere. We turned our heads, so it looked like we just hadn’t noticed; We can surely be excused if we didn’t see it, right? Right?
During Hitler’s siege of Leningrad in the winter of 1941–42, the Russian composer Dmitri Shostakovich and the entire Leningrad Philharmonic were evacuated from the city. A performance of Shostakovich’s seventh symphony, dedicated to the city of Leningrad, was planned for August 9, 1942. There were barely enough musicians left in the city to perform it. The score had to be flown in over German lines, and musicians were pulled from the front lines to bolster the meager ranks of musicians left behind. This performance was a show of resistance in a city which had just lost 1.2 million people (NPR, November 2).