You gave me time. And giving that, like a master, a miser, gave away nothing. You knew this all along. For though you move in cycles and seasons, you dwell beyond, outside of time and measure, beyond the scope of words and reasons. This is what you give, then: a center, a way of being, that though it moves, lies beyond movement the way the springs of a well rise far below the moving waters of their mirrored surface where they play and spill like the dance of trees rooted upside down in heaven. How strange it seems, through the looking glass. For I know your ways, am one of them with you. Like needle, like compass, like kayak I follow you as you follow me. And moving, am moved toward you. As you like these waves, make no move at all. Croatan Sound. Albemarle Sound. Currituck Sound. Pamlico Sound. The music of a water wind beyond human names and naming.
Spanish director Alejandro Amenábar’s The Sea Inside is a triumph-of-the-spirit picture with an unconventional premise: the hero, Ramón Sampedro (played by Javier Bardem), a quadriplegic for two decades as the result of a diving accident, is seeking the right to end his life.
Mark Bustos, a stylist at an upscale salon in Manhattan, gives free haircuts to homeless people every Sunday, his only day off from work. He started the practice during a trip two years ago to the Philippines. The response was so enthusiastic that he decided to make the same offer in New York. Many of the people whose hair he cuts are very thankful. He especially remembers the man who, after seeing what he looked like with his new haircut, asked, “Do you know anyone that’s hiring?” (The Week, August 29).