I wish that everything could be like this— Sex, for instance. Love. To touch the blood Of someone else by reaching deep in kiss Made holier than kiss, by Jesus made
Into the resurrection of the body, And by the God for whom he is the son. I feel that I was born to do this duty, To place my hand inside of such a one
And gasp. I am the awe of the beloved, Who finds fulfillment in the commonplace, The one who hears the footsteps, sees the face, And weeps. True, some by their belief are moved. Not me. His blood is drying on my fingers. The scene of who he is, and was, still lingers.
The British band Delirious has always been smart, drawing comparisons to U2, Radiohead and Blur. With the album The Mission Bell, the band shoots for added lyrical depth and force. “Our God Reigns,” a key-of-D dirge built around spare acoustic guitar, keyboards and thunderous percussion, may be the hardest-hitting piece, tacking issues like abortion and the AIDS pandemic. (“My Chinese take away/ Could pay for someone’s drugs.”) “Love Is a Miracle” alternates between smoldering, soulful verses and wide-open, gospel-flavored choruses, while “Paint the Town Red” rocks as hard as anything Delirious has ever cut.
Indigenous women in Bolivia are hand-weaving a small device used to seal holes in the hearts of infants. The simple, inexpensive device, called an occluder, is made of a single strand of superelastic metal. It takes several hours to fashion. Designed by a Bolivian cardiologist, the device has saved the lives of thousands of children born with this condition. The incidence of this birth defect in La Paz, Bolivia, is ten times higher than in other places due to the high altitude. The occluder is also made for export (BBC News, March 29).