Adopting the approach of most movies made about the life of the notorious pleasure seeker, Lasse Hallström’s Casanova isn’t a biography but a free-form embellishment. It treats Casanova as a legend, a symbol—like Zorro.
In Oscar nominee Crash, writer-director Paul Haggis examines the U.S. racial divide in a series of interconnected short dramas that reach a powerful conclusion. It is a painful film to watch because Haggis offers no comfortable side with which the viewer can identify—until, that is, a conclusion provides a note of grace-filled hope. The racial bias of both black and white characters is exposed, leaving everyone culpable. As in many Krzysztof Kieslowski films, there are moments that suggest a transcendent hand is at work.
It was not meant as exclusionary, the way the boy laid his arm along the pew, not touching her back but cupping the bowl of his hand over the girl’s shoulder, exactly the way his father encircled his mother in decorous Sunday embrace.
Near in age and adoring, his forsaken younger sister saw the story of all Eve’s children, an enacted parable of man leaving father and mother to cling to wife, heard Scylla and Charybdis’ seductive hymn, felt the tension of two great loves, perceived in a piercing moment ties tighter than the bonds of blood.
After the world premiere of Brokeback Mountain at the Venice Film Festival, where it won the award for Best Picture, the publicity machines began referring to it as “the gay cowboy movie.” That tag line changed once people got a chance to see the film. Now it is being called one of the best love stories Hollywood has turned out in a long while.
If you grew up on C. S. Lewis’s Narnia books, you won’t be disappointed in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, the first in a projected series. It’s visually rich and imaginative, and emotionally stirring.
Here’s my question. What if there was a poem That didn’t know what it was about until it got To the end of itself? So that the poet’s job isn’t To play with imagery and cadence and metrical Toys in order to make a point, but rather to just Keep going in order to find out that the poem is About how hard it is to watch your kids get hurt By things they can’t manage and you cannot fix. If I had been the boss of this poem I would have Made it so they can manage things, or I could be The quiet fixer I always wanted to be as a father; But that’s not what the poem wanted to be about, It turns out. This poem is just like your daughter: No one knows what’s going to happen, and there Will be pain, and you can’t fix everything, and it Hurts to watch, and you are terrified even as you Try to stay calm and cool and pretend to manage. Some poems you can leave when they thrash too Much but kids are not those sorts of poems. They Have to keep writing themselves, and it turns out You are not allowed to edit. You’re not in charge At all—a major bummer. I guess there’s a lesson Here about literature, about how you have to sing Without knowing the score . . . something like that. All you can do is sing wildly and hope it’ll finish So joyous and refreshing that you gape with awe.
Islamic Sufis are outraged by a sultry ad for the perfume Just Cavalli. The ad features a scantily clothed Georgia May Jagger, daughter of Mick Jagger, and includes a logo that the Sufis claim is based on a centuries-old symbol of the Arabic word for Allah that represents peace and harmony. Sufis have demonstrated in American and European cities against the Italian design house marketing the perfume. The European Union’s trademark authority has refused a request from the Sufis to have the logo removed (Reuters).