Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Poetry

Jacob's Ladder

At first, I saw their faces, close together,
And in their distance they were like the weather,
The satisfaction found in abstract thought,
The feeling of the sunlight when it’s caught.

Then they moved closer, barefoot on the ladder,
And less transparent as they moved toward matter.
And so it was that they became more human,
Their otherness unfolded to illumine

How I could be. Inside my human body,
I tried to understand, but was not ready.
I slept. I watched the swaying of the rungs,
Heard whispering of nighttime on their tongues—

Then nothing but the planets in their voices.
The space they left was filled with human choices.

Poetry

Michelangelo and the angels

The trouble is the halo. He’s never dissected one,
prying it open with a blade under cover of night
to determine its component parts: seeking with his
fingertips for the thin band of cartilage that holds
it erect, or the branched nerves channeling light
as coldly steady as foxfire on a rotting log.
The same goes for wings. Without evidence
from his cadavers, he dispenses with them,
painting angels as fit as young quarrymen
and pasta-loving cherubs to whom aerodynamic
principles will never apply. Even God looks
as if he climbs into bed each night stiff
from a hard day’s work but not ready for sleep,
his brain crammed with thumbnail sketches
of airy beings aglow with inexhaustible fuel
flying by faith in unborn Bernoulli’s constant.



Poetry

Ordinary time

These midwinter days that bridge
Epiphany to Lent
can seem anything but ordinary
as the steady waxing light reflects
across old December’s glaze of ice,
a biting wind hisses across
the stark bones of the bracken,
and treetops signal sparse
against a sky expecting still
more snow before nightfall.
Scarlet and speckled birds
announce themselves about
the brightness of the holly,
spray from the creek creates
bright frosted chandeliers among
the tangled overhanging branches,
and dusk draws down its spangling
of stars so crystalline they lift the eye—
heart too—toward a principality
that banishes any vestige
of routine predictability.
Ordinariness exists—if at all—
within the desiccated soul,
too distracted by its fearful self
to notice.
Film

Barely making it

Soulful and tough in equal measure, The Pursuit of Happyness is the ideal movie for the Christmas season. It’s a triumph-of-the-spirit film in which the protagonist’s journey from poverty and occasional homelessness to solvency and the promise of a future is so thorny and obstacle-laden that you can’t imagine how he’s going to get there.
Poetry

What ever happened to the Baby Jesus?

Near chamomile and rosebud potpourri
a pair of porcelain camels rest, bit players
glazed and unaware of this faux Nativity.
Peasant extras lift their silent, pleasing prayers
with seasonal adoration. None harbors
signs of panic: no goats or stable maids,
no wise trio, those dazzled star readers
bearing gifts of frankincense and myrrh.
Not the puzzled carpenter from Galilee.
Not the curious shepherds, nor the virgin
exhausted still from her spotless labor.

These figures encircle a barren trough.
Where have you gone, O lost Christ child?
In truth, the Messiah’s size is the stuff
of legend: he’s been abducted. (No Ascension-
Come-Early before the ministry begins)
Not much bigger than a packing peanut,
the babe’s become an object of devotion,
begotten for those tenacious paws’ wild
swatting or mouth that totes the Savior in haste.
We spy the vacancy and know the culprit:
fat Larry, golden pear and roly-poly cat,

that ring-tailed and recidivist felon.
Regular brigand of the infant Son,
he mocks this fragile coffee-table cast.
We joke that his is a holy commission,
converting birthplace to an empty tomb,
Bethlehem yoking the born and risen.
Each time He’s someplace new: laundry room
or water dish. Under chair, in basement,
unknown manger now. And still His grace
and tiny lacquered limbs feel ever present,
embodying their reliquaried space.