Silence is misery, said a friend in a casual comment on the phone. Elizabeth spent three days with no one to interrupt her but her own fears. Lulls during which she noticed the buzz and pop, resting from the hike on a stone. Her retreat intended to evade noise, but she found the clawing of forest murder and distant yelps. That’s when she saw a tree, already turned the color of flame against the others’ ordinary green, like the great voice of one who had to speak. Not a word for three days, unable to resist the conversation released within. Slow sun upon a single tree that stands without explanation on the edge of the meadow with red leaves, a hawk glides above the landscape of pines between silence and speech.
The first feature-length film by video installation artist Steve McQueen (no relation to the late actor) presents a detailed and disturbing look at conditions inside Northern Ireland’s Maze Prison in 1981. Angry members of the Irish Republican Army were jailed—some for relatively minor offenses—denied political-prisoner status and subjected to regular beatings by British guards.
Good lost word, succor. As an infant mouth pulls sweet need from the breast. Sucker: that child, or a loser. Or a gull— someone fooled. Gull’s a sea grace too, a diving shelter wing. Sucker: sweet on a stick. Sticky.
Dive and warm me, sweet Grace. Feed me, help me. Don’t fool me, don’t lose me. Be my succor. Stick to me.
Back before pop diva Lisa Loeb became a household name, she and Elizabeth Mitchell performed together at Brown University. While Mitchell didn’t achieve Loeb’s fame, she possesses no less talent—and on her album for children, You Are My Little Bird (Smithsonian Folk ways), she demonstrates how the simplest music-making can be the most moving.
These waters, I must trouble for myself, in an age of the absence of angels, as I plunge, first of the day to break the lambent surface of the pool, and commence my daily reaching after miracles, swimming laps at almost eighty-one. The miracle I seek these recent years has been defined, and then refined, by that old friendly temporizer, “yet”; no longer seeking not-to-die-at-all, just not-to-die-quite-yet, to win a couple bonus years, in which to pen another poem or two, to pile a few more chosen words onto this heap I have—for Oh so long—been working on. Any healing that might come will clearly have to be short term. Until, that is, I reach the final turn, take up my beggar’s bed, and walk.
Print books remain significantly more popular than digital books, according to a recent Pew Research Center survey. The bad news is that the number of people who reported reading a book in any format last year was 73 percent, down from 79 percent in 2011 when Pew first started gathering data on the reading habits of America (Publishers Weekly, September 16).