Darwinists are communists. And Nazis. They hate our freedom. And—this might be worst of all—they are New Atheists. Or so suggests the film Expelled, Ben Stein’s comedic documentary about scientists who have lost their jobs for questioning the Darwinian consensus. Stein is an actor best known for his role as the hapless teacher in Ferris Bueller’s Day Off (“Anyone?
Staff Sergeant Brandon King (Ryan Phillippe) thinks Tikrit will be the last stop on his tour of duty in Iraq. It’s a bad finish: he leads his men into an ambush. He loses three of them and another winds up blind and crippled. When Brandon and his childhood friend Steve Shriver (Channing Tatum) return to their Texas hometown, they’re proclaimed war heroes.
It was once in early May, a raw day, Bitter, on a western creek, I crouched Beneath a weeping willow, expecting Nothing, resting really, the black back Eddy smooth as glass when suddenly The rod tip bent with such great force I almost fell, but didn’t though I couldn’t move, it was that cramped Beneath the tree nor could I even raise My rod. I could only hold my breath, The reel singing, line spun out, Pulled by what I couldn’t see, but How I longed for just a glimpse, A glimpse would be enough, I thought, Until a glimmer showed itself, a flash Of light deep in the dark, and then, Of course I wanted more, the all of it To see and hold before releasing, Letting go. Like life, the way we’re meant To live, to let each breath be all there is, But seldom do; it isn’t easy. Perhaps I prayed, I can’t be sure, but Inch by inch, the fish drew near, until The moment, timeless, now, a rainbow Like a blessing rose, shimmering, A gift bestowed.
We say grace before we start to eat good things together, as if our thin voices could somehow divine it. We call it table grace, as if it were the elegance of furniture. We say a woman has it in the way she moves. We equate it with luck sometimes, modify it with sheer as if we could shave it to size.
Our gesture is not the real thing, we know that, that’s wholly Your deal. This is mere posture— or should we say sheer posture— a way to halt moving limbs, to cease together here, to allow a tilt toward gratitude
After so much darkness, the field’s excess of light, the day floating on itself as in a dream. But it isn’t a dream, the small wound songs of the house finch, the sun hammering the grasses’ bronze tips. We had gathered about your bed
like a boat we tried to push off stony ground. We wanted to help: we believed in the buoyancy of that water. You held onto the ruins instead of our hands. What did we know of how it is to look back at one’s life?
A bee swings from the nightshade. Ants carry their burden up the post of the shed unmoved by song.The grasses bend under the weight of so much light. And the balm of the wind: from the woods the singing of leaves. Or is it the sound of water flowing?
Are you really? Underneath the snows of winter, do you blossom on and on? Do the pocket gophers crave you, tunneling beneath that blanket, pray to enter your secret chambers, rest inside your open gates?
I see your flowering, fruiting clusters, hanging on into October, leaning into the open path, making way, ushering whatever is holy into the presence of things that stay.
Bob Dylan gave a wide-ranging interview to AARP Magazine and declared that if he hadn’t been a musician, he would have been a schoolteacher, and would likely have taught either Roman history or theology (AP).