Neil Jordan’s The Brave One has a lacerating opening section. Erica Bain (Jodie Foster) is a New York disc jockey who dedicates her radio show to the neglected or vanishing splendors of the city she adores. One evening she and her fiancé (Naveen Andrews, of TV’s Lost) are mugged while walking their dog in Central Park; he’s killed and she winds up in a coma.
Outside my window, the bushes have turned, redder than any fire, and the sky is the same blue Giotto used for Mary’s robes. My mother says, if she still had a house, she’d plant one or two of these bushes, and I love how she’s still thinking about gardening, as if she were in the middle of the story, even though we both know, she’s at the end, the last few pages. Down in the meadow, the goldenrod’s gone from cadmium yellow to a feathery beige, the ghost of itself. Mother, too, fades away, skin thin as the tissue stuffed up her sleeve. The scars on her stomach itch and burn, but inside, she’s still the girl who loved to turn cartwheels, the woman whose best days were on fairways and putting greens. On television, we watch California go up in smoke, flames leapfrogging ridge to ridge. Here, these leaves release a shower of scarlet feathers, as everything starts to let go. Oh, how this world burns and burns us, yet we are not consumed.
Emma Sulkowicz, a Columbia University student, is carrying her mattress everywhere she goes as part of her senior visual arts thesis. Two years ago she was attacked and raped in her dorm room. Sulkowicz sees this performance art project as a way to show the burden sexual assault survivors carry everyday. Last year three women reported assaults by the same person; all three cases were dismissed by the university (Time, September 2).