He knit him self up, a cable-stitch of skin. Pushed his left eye in its socket, then his right. Cracked the knuckles in his fingers (now so thin!). Raised him self from the dirt and stood up right.
Lazarus, Lazarus, don’t get dizzy. Lazarus, Lazarus, now get busy. Mary’s weeping, Martha’s made a cake, Jesus is calling at the graveyard gate. Your closest cousin, happy you are dead, Eyes Martha’s sheep and Mary’s empty bed.
He licks his lips and wags his muscled tongue. Flexes each foot till the warm blood comes. Turns from the darkness and moves toward the sun. A step. A shamble. A dead-out run.
Fashioned from a book by Jon Krakauer, Sean Penn’s Into the Wild is an elegiac film about Christopher Johnson McCandless, who, upon graduating from Emory University in 1990, set out, without notifying his family, to live as elementally as possible in a manner inspired by Thoreau, Tolstoy and Jack London.
The Valley of Elah is the legendary spot between two mountains where, according to 1 Samuel, young David slew the mighty Philistine warrior Goliath. The site is an appropriate allusion for writer-director Paul Haggis’s movie about the American experience in Iraq. In the Valley of Elah posits that the U.S. may be the military Goliath brought down by hit-and-run insurgents.
Mark Bustos, a stylist at an upscale salon in Manhattan, gives free haircuts to homeless people every Sunday, his only day off from work. He started the practice during a trip two years ago to the Philippines. The response was so enthusiastic that he decided to make the same offer in New York. Many of the people whose hair he cuts are very thankful. He especially remembers the man who, after seeing what he looked like with his new haircut, asked, “Do you know anyone that’s hiring?” (The Week, August 29).