For a practice to qualify as “evangelical” in the functional sense means first of all that it communicates news. It says something particular that would not be known and could not be believed were it not said.
Working at the top of his game as both a filmmaker and an actor’s director, Ron Howard has converted one of the most intriguing media events of the late 1970s—David Frost’s TV interviews with Richard Nixon three years after Nixon resigned as president—into memorable drama.
Bernhard Schlink’s 1995 novel The Reader is a tricky book to adapt to film. The plot—about how Michael Berg, a teenager in Germany in the 1950s, falls in love with an older woman with a mysterious past—may seem neat and tidy, but the story is actually about fear and guilt, ethical responsibility and moral ambiguity.
He awakens on February first, stunned again by that odd wonder: how quickly old has come. Of course if his will were done he’d have risen youthful, but age is here, he’ll own it. He thanks God
for its coming without companion pain, without reliance on medicine. As he has since he was younger, he puts on snowshoes and clambers over drifts and up a daunting bluff. As much by determination
as muscle he powers on through the powder. The view from here—a blessing: eastward the white White Mountains all seem to be staring placidly down on ice-dams hunched in the river. He kicks his feet out of leather bindings
to climb a tree. West, a neighbor’s strange herd of alpacas mills, all wool, though mere months back—short-shorn, with feeble reeds for necks— they were fragile creatures, naked, susceptible, silly, same as us all.
He forces air out through his teeth—birdwatcher trick—and imagines a lisping cloud, his sounds small jets of steam. Let kinglets come, he dreams. Did an eagle shriek? Too far to tell. But golden-crowned kinglets are flying
from his south to land all around, on his limb and all the way up to the crown, then are gone so quickly he all but missed the marvel: the kinglets come.
I board the airplane to see my parents. They live far away and long ago And some years into the future; you never met such wry time machines In your life. Sometimes they will be about to pass the marmalade when Suddenly it is late 1941 and they are in college and kissing on the train; But then as you slather your toast it is 1967 and a war wants to eat their Son or 2012 and they are at that son’s wake or 1929 and a father comes Home without his job, or it is a week ago, and do you think that Federer Is the finest tennis player ever, or Laver, or Don Budge? It happens that Fast. It’s unnerving and glorious and confusing and perfect and I would Sit with them every afternoon, if I could, and say tell me tell me tell me, Tell me every moment of your whole lives, don’t leave me here without Your grace and humor and the extraordinary gleaming jar of marmalade From which come all your stories. Next year in Ireland . . . says my mother, And my dad grins, and I want to kneel and beg the Lord for this moment Again and again always, the inarguable yes of their bodies, the resonance Of their endurance, the hunch and hollow of their shoulders, the reverent Geography of their faces, the lean song of my father’s hands on the table.
A Turkish couple living near the Syrian border invited 4,000 Syrian refugees living in or near their city to their wedding party. The idea came from the groom’s father, who hoped their example would inspire others. The couple pooled money they had received from family members to throw the party, and wedding guests contributed food as well. The bride admitted being shocked when she first heard about the plan, but agreed that seeing the happiness in the Syrian children’s eyes was priceless. Nearly 2 million Syrian refugees live in Turkey (Telegraph, August 4).