Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Poetry

The mind's eye

Could be the sun, if it ever was.
                                                          Darkening sky, darker shapes
not shadows but clouds
                                           shapes only you can see—
smoke from a fire,
                                 that dream about your mother.

Could be the thing at the back of your eye
                                                                            upside down
until the brain turns it around—

trees walking on their leaves,
                                                      wearing their roots like hair.

Could be the thought you forgot
                                                            then remembered later
after everyone had gone.

In the daytime it’d be different.
                                                       Everything white and fluffy.
The sky blue.

Still the half-formed shape, the real beneath.













Poetry

If, then

A wave in the water. The word
              opens, shape for knowing
                            at edges, darker fields, trouble:
a wave in the water. The word
                            waits long to shatter on silence,
                             prove, prove that falling is
a wave. In the water, the word
              opens, shape for knowing.
Music

On Music

The band R.E.M. is easy to love—and hate. In the 1980s the group from Athens, Georgia, defined college and indie rock. It grafted locomotive Rickenbacker guitar and bass onto the no-nonsense beats of Bill Berry and the barely audible but alluring vocals of Michael Stipe.
Poetry

My father and the dark

Ten inches of snow this week,
gradual, over four days,
so that we didn’t realize

until we tried to walk
the tow path along the canal
how deep it was,

and I think again how quickly
this first trimester’s gone
a season already, reaching

around to rub her round belly,
its waters stirred this month
by tiny fingers and toes,

knowing our baby
has earlobes now, and genitals,
hearing again the racing

heart in the doctor’s office,
wishing my father, who sat up
at night like this to smoke,

could be here,
so that I could show him
how I sing into the belly

when she lies back down,
and could ask him
about the dark and its lack of answers,

dark he slumped in for years
with his beer and news radio,
dark he drove to work in

and came home in,
lived on those last few months
through tubes and drugs,

dark he lives in now,
or does not,
dark our baby swims from tonight,

in the waters where time begins,
adding cells and muscle and bone
all the hard way to our lives.





















Film

The Chronicles of Narnia: Prince Caspian

Like The Lion, the Witch and the Wardrobe (2005), the first nonanimated big-screen feature film based on C. S. Lewis’s Chronicles of Narnia books, Prince Caspian is visually spectacular, emotionally stirring and dramatically potent.