Rome is over. Not just the republic, but the TV show. Despite solid ratings and Golden Globe nominations, the popular cable series ended last year. HBO, the BBC and the Italian RAI had teamed up to offer two seasons of ten episodes each about ancient Rome. Now the series is available on DVD.
The protagonist of The Visitor is Walter Vale, an academic who has retired from life after his wife’s death. A political economist at a small Connecticut college, Walter (played by Richard Jenkins) is no longer engaged with his students. He’s taken a reduced teaching load ostensibly to complete a book, but he’s not writing one.
New Orleans’ Lower Ninth Ward, largely inhabited by poor African-American residents, looks not much different now from when the floodwaters receded. You have to wonder how Washington would have reacted if Katrina had hit a wealthy, white gated community.
David Gordon Green’s Snow Angels begins with the discordant sounds of a small-town high school band practicing on a football field under gray skies. It ends with the angry cry of a heartbroken grandmother calling to her dog from a back porch.
A curving trail—the callused field obscures it until we shovel out the clotted brick, lug a ton or two of sand to fit trenches, level rumpled earth, correct courses. A mallet stuns a thumb, new blisters bud as self-impressed we shout, “This row is done!” but then a kid names names, prefers George Toad, Kate Cricket, slaps William Mosquito, pats Barkly, unleashed, our best company. We rest and share cold drinks. David brings homemade muffins, burned, blueberry plenty. Sun flickers around us, summer’s wings. Yet sand, we need more sand! Deer watch from trees while we adjust the pathways on our knees.
Philosopher Michael Ruse is an ardent evolutionist and unbeliever, but he often comes to the defense of believers who are under fire from militant atheists like Richard Dawkins. Ruse says his sympathetic stance toward religion is partly due to his Quaker upbringing. “I grew up surrounded by gentle, loving (and very intelligent) Christians. I never forget that,” said Ruse. He also objects to what he regards as bad atheist arguments. Evolution explains the existence of religion as an adaptive mechanism, but that doesn’t necessarily explain it away. “It is as plausible that my love of Mozart’s operas is a byproduct of adaptation, but it doesn’t make them any the less beautiful and meaningful,” Ruse said (New York Times interview, July 8).