I’ve covered the Sundance Film Festival many times and can say with reasonable authority that the movie lovers who brave Utah winters to see world premieres are some of the easiest audiences I’ve encountered.
Tia Lessin and Carl Deal’s documentary Trouble the Water is a devastatingly effective depiction of the experience and aftermath of Hurricane Katrina. It isn’t the first: Spike Lee’s exhaustive, four-hour When the Levees Broke ran on HBO in 2006.
Autumn arrives September 22 (in the Northern Hemisphere). If you are like me, you depart reluctantly from summer, the season of light. Fall carries intimations of death—leaves dry and shrivel, grass bleaches corpse-pale, insects perish, squirrels batten down their nests and fatten up for a long season of lethargy.
On August 7, 1974, around 7:15 A.M., just as New York City was waking up and trudging off to work, a 24-year-old Frenchman was taking a walk on a metal cable that was strung between the twin towers of the still-uncompleted World Trade Center.
Before the dust had settled from the tramping boots, he’d appeared. Eyes beheld him to their confusion but when he breathed upon them they remembered the spring green hills of Galilee, the cool evening air scented of olive, laurel, clematis, myrtle. A peace they could not reckon. A dove called.
Left to the silence, they could hardly recognize themselves. How strangely their voices sounded and what unlikely things they must have said.
During Hitler’s siege of Leningrad in the winter of 1941–42, the Russian composer Dmitri Shostakovich and the entire Leningrad Philharmonic were evacuated from the city. A performance of Shostakovich’s seventh symphony, dedicated to the city of Leningrad, was planned for August 9, 1942. There were barely enough musicians left in the city to perform it. The score had to be flown in over German lines, and musicians were pulled from the front lines to bolster the meager ranks of musicians left behind. This performance was a show of resistance in a city which had just lost 1.2 million people (NPR, November 2).