Reader, here is no know-nothing muddle-mouth grinning till his time’s up, nor this month’s charismatic hotshot— let’s be glad for that. Nor is it time for deeper, troubled things, the heaviness of swollen hands that knit our sweaters or underfed teenagers who look like my six year old, sweet in his warm bed. Shall I go on, then, or end it?
It’s not even an occasion for lyrical greatness (who can bear or hear it?), or honoring the slain and scars of veterans (how to sustain it?) or excursions on hermeneutical wings along the Word. Or less estimable, more complicated forms of happiness: breathless days when we became better than ourselves, as if awaking from a dream.
Let other songs bless or curse with big decibels. I leave this business, such as it is, to higher-minded poets or tireless annalists.
I sing simply of Love, of grace, and those graces who are your friends, warm with life and giving you grief, playfully—these late evenings in December. And I sing of such beautiful people, even closer, safe and asleep nearby, here and there, her and her and him, so pleasing and peace be with them, and you too, Reader, you too.
It’s 1967 in Minnesota, and life is getting more and more difficult for physics professor Larry Gopnik (Michael Stuhlbarg). Despite his best efforts to be a good man, a respected member of his Jewish community, a bona fide mensch, the structure of his life is collapsing like the walls of Jericho.
One day thought’s Gethsemane Like some personal handicap Or guilt, will venerate the image Of its last nativity, will fold Its wings away and say, “The bird of doubt has gone today.”
And all the “how could I be So stupid” habit of the soul Will harden to a pigment Like raven’s feathers, painted And set on an ancient canvas, Giving up its foreground To a moment’s peace in that journey Of escape from Bethlehem of birth.
Just as in David’s “Rest on the Flight Into Egypt,” an angel having whispered Of slaughter, “You must leave, Joseph,” He, knocking walnuts from the tree, The donkey munching quietly some hay, His son reaching up for grapes, A young child’s suffering at play, Not thinking yet, “I must, they say.”
And Mary, seated on a rock, After long labor, serene as Nazareth, building her pyramid.
So, I didn’t latch onto a holy word and go into space and, ethereal, lose touch with my body. But God, in those thirty slow minutes, you unfolded in me the bud of a fresh flower, with color and fragrance that was more than my soul was capable of, on its own.
. . . We all, with unveiled face, behold as in a mirror the glory of the Lord.
And when the peony showed up, I knew it as a kind of mirror. This was glory in pink and cream, with a smell of heaven. Petals like valves opening into the colors of my heart.
I saw myself kneeling on a grass border, my knees bruising the green, pressing my face into the face of this silken, just-opened bloom, and breathing it, wanting to drown in it. Wanting to grow in its reflected image.
Following outbreaks of violence between Palestinians and Israelis, an Israeli hummus restaurant near the coastal city of Netanya offered 50 percent discounts to Jewish and Arab customers who sat together. “If there’s anything that can bring together these peoples, it’s hummus,” the restaurant manager said (Jewish Telegraphic Agency).