The first ever Academy Award for Best Picture was given in 1929 to Wings, a World War I aviation drama full of groundbreaking aerial sequences. People flocked to see the film largely because they longed to feel what it might be like to fly.
I like to compare notes with him, to count the shades of blue on a kingfisher’s back . . . —Robert Cording
“Come see this creature before I cut it loose,” my husband calls to me from the garage, something large and winged thrashing on a spider’s thread dangling down from the opened garage door— no holy ghost but a moth, caught there by a wing until he lifts the silk rigging down with a broom. The flailing insect twirls like an acrobat till he lays it, freed, in the grass. Tired, it doesn’t move. We admire and leave it, go about the business of our days. May it recover . . . may it not become prey for the neighbor’s cat . . . Later, when I remember to look again, it’s flown. (Like your souls, I want to take up the old healing grief metaphor, speaking to my lost father, my mother, my nephew, my grandmother . . . Flown like your souls, to some heaven we can’t— or can—imagine, or map . . .) That night, having lost our chance if not the means to identify it surely, we puzzle over the moth book, pointing: this? Or this? Or this?—(some type of sphinx)—joined in spirit as in body in our human need to capture and release meaning, feel the touch of beloved skin: and keep safe all the facts and fancies of our world, with their attendant terrors and grace, the mystery of the present moment and the escaping future, heart to hand.
Tiny, almost an anti-weight, if it blew off my palm in the wind I might not even notice. Dashing against the back porch glass, the bird fell onto logs I’d stacked there, or rather heaped. I loaded our wood more neatly out in the shed but this jumble of lumber reminded me my life lacked grace.
Wind didn’t kill the bird but misprision. My oldest daughter had just given birth to twins, and I was thinking of them of course when I saw the sparrow. We’re in a hopeful season. I’d like to imagine new beginnings, not ponder for instance the self-styled Christian Warriors I heard about lately, devoted to killing police,
to launching Armageddon. They claim these are days of Antichrist, and I could almost agree—for other reasons. Thou shalt not murder is among the Commandments, I’d remind the warriors, all nine of whom live in Michigan, a place near hell in this near Depression.
Days are bad worldwide, though in gospel God’s eye takes in the smallest sparrow. Vile hooligans among us storm over having a president who’s other than white. We’re all human, and none of us saved, and—as the old Greek said— it might have been best if we’d never been born.
And yet to imagine a world devoid of hope is too easy and lazy, I decide. Outside the odors of spring fly in on the wind: damp mulch, old ice, wet mud and sap. The sugar-makers hope for a few more gallons, hope for a few more years, to be with my children. I open the stove, sweep the bird in.
It’s distracting, everything’s changing wherever I look; an electric blue patch of squill nearly makes me crash, and all the twigs are, suddenly, beaded with leaf buds, while the yellowness of the willows is brightening hourly. I park so I can watch, I jump out of the car and dance along, I’m beaming like a lunatic, and really, you’d think I’d be used to it by now, I’ve seen it happening over fifty times in many different places; I should know that as soon as these words are written, they’ll be old; the leaf buds will be emerald. You’d think I’d give up trying to catch the delicate insinuation of the air, which can’t be caught; the words collapse, they tumble and mesh together breezily interlaced in a tangle of green, the yellow caravel entirely madrigal, and every jonquil ravishment squeezed fresh.
Behind us, the channel half-clogged by bullhead lilies slips back into the smoke of yellow tamaracks clouding the shore and we glide on the silk of a dream so deep, herring break the surface from eighty feet below.
I am this hand skimming the water. I am these eyes dazzled by light.
I am you whom I loved before the seas were parted.
So you doubt the whereabouts of God, a quark, everywhere yet nowhere at once. So the hell what? Doubt you the wind, doubt sandstone erosion and trilobite carapace. Let faith in dawn weather slow as feldspar. The sperm whale’s lungs collapse a thousandfold in unfathomable depths, yet bear it, unyielding. You who preach against miracles, go doubt the arctic tern asleep on the wing. Doubt that a father will leave untouched constellations of frost inside his windshield, the breath of his child frozen overnight. Doubt that bodies lose a few grams the moment of death. Doubt that, you who will, doubt that.
Americans now donate five times as many clothes to charity than they did in 1980. The supply of donated clothing outstrips the demand: typically, only 20 percent of donated clothing is sold where it is donated. In 2014, 11 percent of clothing donated to Goodwill ended up in landfills. About 45 percent of all donated clothing is exported to foreign countries by for-profit companies. The glut of used clothing disrupts local economies in developing countries, putting textile workers out of jobs. Bre Cruickshank recommends that clothing donors invest “in timeless styles of better quality,” rather than “refreshing our wardrobe according to seasonal trends” (Not Just a Label, April 9).