A well-established French cinematic tradition is to spin out a story that seems to be about very little—until you get a peek beneath the surface and can see it is about a dizzying number of things. Then the themes and symbols rain down, forcing you to watch and listen carefully lest you miss one of the clues that helps explain, perhaps even solve, the tale.
I’ve seen the Kathmandu corpses, garlanded with marigolds, burned to a crisp, holy smoke sifting across the river, censing the air for the tourists. In Annapurna’s narrow lap this valley, chock full of bones, is too cramped for burials. Instead, the dead are loaded onto burn piles stacked with logs from the foothills, now naked and eroding, pillaged for ceremony, death gathering to itself more death up the slow gradient of necessity. Mourners chant. Mortality teaches our ears, eyes, noses as the little boats of skeletal ash and charcoal are launched, freed from the funeral ghats, to drift downstream.
Urged now to weigh the manner of my final dispersal, I’m not averse to incineration. But I confess this foolish comfort: to lie beside my husband in our grave—a double bed we chose together— the full, aged remnant of the body he loved, knowing heaven can pull together from earth or urn, from bones or ashes, whatever is needed for what’s next.
Open thy mouth wide, and I will fill it. Psalm 81:10 (KJV)
Don’t be afraid of your hunger. I gave it for your fullness, The cravings, the pinched gullet, the corrosive wants, all have come to serve you. Don’t be afraid of the pablum, the drivel in your diet, or the sharp cactus burrs when you swallow. Don’t be afraid even if you don’t know you are hungry.
If, as Karl Barth said, God may speak through a blossoming shrub or a dead dog, I reckon God may be found at rock festivals. At least that is my hope every spring as the Chicago winter finally eases its grip and I begin planning rock music outings.
Indigenous women in Bolivia are hand-weaving a small device used to seal holes in the hearts of infants. The simple, inexpensive device, called an occluder, is made of a single strand of superelastic metal. It takes several hours to fashion. Designed by a Bolivian cardiologist, the device has saved the lives of thousands of children born with this condition. The incidence of this birth defect in La Paz, Bolivia, is ten times higher than in other places due to the high altitude. The occluder is also made for export (BBC News, March 29).