The winner of the Academy Award for Best Foreign Language Film, The Lives of Others, looks at a political system kept in power by a police agency that has absolute power to keep any citizen under constant surveillance.
These Yorkshire fells and dales appear ever to be falling away, toppling from Emily’s wuthering heights into wide accommodating valleys carved by Derwent, Calder, Ribble and the rest then trimmed by flocks of patient sheep that crop the slopes and shoulders round toward that verdant jeweled Jerusalem folk hereby love to sing about.
Up here, along the tops, however, driving tight along the teetering edge, mad vertigo hangs you out there in the balances, suspended in that stomach-clutching space between this summit and the next, flung far into the spinning turn, the terrible excellence of things.
Might it be that way also at the end, nothing all that dark and dreadful, but a life-demanding climb, agonizing to be sure, all the gasping way along and up some looming harsh escarpment grasping toward the final summit where, at last, you stumble forward into emptiness to find everything . . . all at once?
Last Sunday my grandma laughed at the memory of a clumsy silverware thief: one day she came home to a slamming screen door and a trail of knives that began in the living room and petered out in the yard. She said they were not precious. But my dad whispered. He remembered how she came in with them, all in one hand. In a delicate furious bouquet.
“The Department of Defense announced Friday that the battery operated ‘digital’ bugle has come of age and is a necessity with only about 500 U.S. military buglers to perform at the 1,800 daily funerals for veterans.” –Washington Times, 10/09/02
And now even this is pantomime— or worse—a kind of full-bodied lip sync at the gravest occasion. Someone in uniform lifts horn to lips to blow (one thinks), simulates the deep draw that hallows breath into note and moves us to that spacious human room where mourning sounds. And now even this is just charade, a button pushed (at least the fingers move), and though the tones are clear as night and sure as sleep, one wonders whether God is really nigh and what besides the soldier-child might die.
No one understood my nightly need to be reassured I’d wake up again the next day. Eyes closed, I saw no sheep but the tufts of pampas grass looming silver like a solitary path. The scroll hung above me, a verse in five and seven, its flowing hand thin and illegible—I still knew it was about our life not lasting very long. How is it that adults were okay with such a prospect? In July, bamboo blades rustled against paper cranes and prayer strips; I wondered how I’d made the cut, when I wasn’t a boy my father wanted, wasn’t a koi princess my mother said would magically turn her tail into a pair of legs. I looked for the fabled rabbits on the moon, a family of them taking turns to pound rice into pearly cakes along their dark, elliptical orbit.
A copy of the Bay Psalm Book, the first book published in America, will be auctioned off by Sotheby’s and is expected to bring between $15 and $30 million, making it the most expensive book ever sold. One of two copies owned by Old South Church in Boston, it is one of only 11 remaining copies published. The proceeds will be used to help replenish Old South’s endowment once $7 million of it is used for deferred maintenance. The church historian resigned over the congregation’s decision to sell one of its treasures, but the rest of the congregation overwhelmingly supported the decision (New York Times, November 15).