We Are the Eighth Day, © Melanie Weidner

On Art

Sacred Heart Cross

Working with found objects of metal, stone and glass, Leroy E. Fresquez Jr. finds his materials in wrecking yards and demolition sites. He makes use of old farm equipment, long-abandoned trucks and railroad spikes, building new narrative from these materials while incorporating and acknowledging their original purpose. He calls his work "a recycled art"—the discarded pieces he discovers already hold their own inherent beauty and history. Scrap-heaped materials become dignified through re-visioning, selection, and placement. In Sacred Heart Cross, he combines an exhaust manifold from a 1920s pickup and barbed wire.

—Lil Copan


How our minds have changed

Computers are changing the way we think. "Calm, focused, un­distracted, the linear mind is being pushed aside by a new kind of mind that wants and needs to take in and dole out information in short, disjointed, often overlapping bursts—the faster, the better." This is probably not a good thing, says Nicholas Carr.


The Kids Are All Right

Directed by Lisa Cholodenko

The Kids Are All Right has been on a roll since its premiere at the 2010 Sundance Film Festival. It is directed (and co-written) by Lisa Cholodenko (High Art, Laurel Canyon), a filmmaker who favors stories about characters who initiate change. Some­times this change is intentional, other times inadvertent, but by the end the status quo is reshaped.