The title of Scott Cooper’s debut film, Crazy Heart, comes from a song by the movie’s protagonist, a country singer named Bad Blake (Jeff Bridges). At 57, Bad is an alcoholic and is shut down artistically, but he’s still working the road and hanging on. The song alludes to picking up his crazy heart and giving it one more try.
She’s on life support. Racing to get there, his Jaguar fishtails on the frozen highway. She was a beauty and elusive as the future, his mother, usually traveling on his birthday.
He felt he couldn’t fly, had to touch dirt every inch of the way. To fly would be to unpeel too fast the onion of his hurt.
She’d call. He wouldn’t answer. He was busy.
Now it’s ice he notices, gray molars locking to dark bluffs, the way ice locks his heart in steely winter logic. Then sun shimmers on ice, the lock breaks, and love flows. Relief, oh melting! as he steers toward his mother.
Back in 1994, when Peter Jackson was a relatively unknown director, he made the small but brilliant Heavenly Creatures, a tale about an “unhealthy” friendship between two teenage girls in 1950s New Zealand that led to bloody matricide. It remains my favorite film by this extremely talented filmmaker.
I praise the necklace so long it drapes, loops, and circles the neck of a grieving dowager back to her girlhood play.
Yet, I praise the darkening urine of amber beads and the fears engendered by bloodstone;
I praise red coral—millions of gifts piled by sea creatures’ lives. Under the hard western sky, I praise grimy hands, fashioning turquoise squash blossoms for the necks of tourists. I praise the poor woman’s subterfuge, Zircon, and the queen’s throngs of golden chains.
I praise Nancy Pelosi’s pearls,
the sound-taste of chrysoprase, citrine’s juiciness, opal’s sparks, amethyst’s rumored temperance.
I praise the jeweler’s loupe, peeking down from its glass copula into jasper’s chocolate smear purloined from Heaven’s walls.
For 20 years, José Gutierrez, a garbage truck driver in Bogotá, Colombia, has been rescuing books from upper class neighborhoods. He turned his own modest house in a poor neighborhood into a community library, which by now has some 20,000 volumes stacked from floor to ceiling. Known in Colombia as “Lord of the Books,” he attributes his own love of reading to his mother, who read stories to him every night when he was a child. Gutierrez’s favorite books include One Hundred Years of Solitude by his Nobel Prize–winning fellow countryman Gabriel García Márquez (AP).