Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Film

Doubt

It is commonly assumed, and regularly taught, that the key difference between playwriting and screenwriting is that the former tells the bulk of its story with words (it is dialogue-driven), while the latter relies more heavily on images (it is camera-driven).
Music

The Century recommends

This collection ranges from the merengue of Dominican superstar Reynold to the earthy Hungarian folk of Marta Sebestyen (knit with Arabic textures on “Bethlehem, Bethlehem”). The Cox Family’s dawn-in-Appalachia rendition of “Go Tell It on the Mountain” is a highlight. Other tracks sample holiday pieces from Sweden, Italy and Africa.
Film

CC Recommends

Martin Ritt’s 1972 adaptation of the beloved children’s novel by William H. Armstrong is one of the most powerful family films ever made. It is set in Depression-era Louisiana, where a proud father (Paul Winfield) poaches game to feed his wife (Cicely Tyson) and children and winds up on a chain gang.
Poetry

Caught music

Aloft because chaos dances, elastic,
flowering. Generous, how impulse jumps—

kept lively. Melody nudges open—prospector,
questioning. Remember summer?

Tallying us, vireos, wings x-rayed yellow,
zeroed along bare cliffs. Drawn even from

graceless hollows—imagine—juncos, katydids,
luscious mango noons. Our passions

quickened. Rondos, serpentine: the unsung,
voiced with xylophones. Yodels. Zithers.







Film

Pride and Glory

A movie about a family of Irish cops—that sounds like one you’ve seen before. But Pride and Glory contains a few unfamiliar notes, and it rings truer than most movies about corruption in the police ranks.