Last week a mathematician said green glow, aquamarine— and I suppose rare parrots or the searing rise of rice, aurora as it reels around the poles.
This week the man says oops, a miscalculation: the universe is amber— peach hair, cantaloupe, a squeal, the yellow cart of dawn pulled into day.
Show me the math, show me equations in green, gold, vermilion, plum— whatever comes out of the dark around us and the sun and all the sons and daughters of the stars— the universe a crystal, charmed, worn in the hollow of God’s throat and warmed.
Silence is misery, said a friend in a casual comment on the phone. Elizabeth spent three days with no one to interrupt her but her own fears. Lulls during which she noticed the buzz and pop, resting from the hike on a stone. Her retreat intended to evade noise, but she found the clawing of forest murder and distant yelps. That’s when she saw a tree, already turned the color of flame against the others’ ordinary green, like the great voice of one who had to speak. Not a word for three days, unable to resist the conversation released within. Slow sun upon a single tree that stands without explanation on the edge of the meadow with red leaves, a hawk glides above the landscape of pines between silence and speech.
Gun metal gray the sky this morning and along the shore at dead low tide an on-shore wind blows spume across the wave tops. Rain before dark, they say, and even some late snow to dash our dawning dreams of green and blossoming. Undaunted, a new pair of mallards— splendid headed male and female—inaugurate the new-thawed pool beside the dog run of our ocean-front retirement home. Silent, they move across, now venturing among the reeds to break their long migrating fast, and seek a secure nesting place to lay the future. Blessing their ancient quest, I call to mind one week ago, on this same daybreak dog walk, I was surprised, almost alarmed, by one great, stately snow white egret, with his mate, also foraging among the weeds, as the larger of them rose, spread his quite angelic wings, and wafted a bright unexpected blessing to my aging head, as he moved on in search of richer waters.
When Toni Morrison taught creative writing at Princeton University, all her students had been told in previous classes to write about what they knew. She said to forget that advice because first, they didn’t know anything yet, and two, she didn’t want to read about their experiences. She told them to imagine people outside their own experience, such as a Mexican waitress in Rio Grande who could barely speak English. It was amazing what these students came up with, Morrison said, when they were given license to imagine something outside their realm of experience (American Theatre, March 10).