The romantic drama Two Lovers is the perfect small movie. James Gray and his co-writer, Ric Menello, were inspired by Dostoevsky’s short story “White Nights” and especially by the exquisite 1957 movie version by Luchino Visconti.
I got this problem. There’s this guy I want to be better friends with. We’ve been out with other people for drinks, talked at professional events and had a few laughs. But when I ask him out on a man-date (strictly defined: lunch or drinks after work) he’s always busy. Should I take a hint or try some other approach?
While I never suffered the childhood trauma of parents getting divorced, I know as an adult what it is like to suffer with a divided family. That is because I am an Episco palian. As everyone knows—the late-night arguments and breaking of dishes have been audible since spring 2003—the Episcopal Church teeters on the edge of a breakup.
Before the dust had settled from the tramping boots, he’d appeared. Eyes beheld him to their confusion but when he breathed upon them they remembered the spring green hills of Galilee, the cool evening air scented of olive, laurel, clematis, myrtle. A peace they could not reckon. A dove called.
Left to the silence, they could hardly recognize themselves. How strangely their voices sounded and what unlikely things they must have said.
During Hitler’s siege of Leningrad in the winter of 1941–42, the Russian composer Dmitri Shostakovich and the entire Leningrad Philharmonic were evacuated from the city. A performance of Shostakovich’s seventh symphony, dedicated to the city of Leningrad, was planned for August 9, 1942. There were barely enough musicians left in the city to perform it. The score had to be flown in over German lines, and musicians were pulled from the front lines to bolster the meager ranks of musicians left behind. This performance was a show of resistance in a city which had just lost 1.2 million people (NPR, November 2).