It’s unlikely that the rest of 2010 will turn up another movie as astonishing as Vincere, by 70-year-old Italian director Marco Bellocchio. It’s a historical drama that covers the rise of Benito Mussolini from his beginnings as a socialist in the days before World War I. But the protagonist isn’t Il Duce; it’s his mistress, Ida Dalser.
The challenge of telling other people’s stories is an occupational hazard for journalists, historians, memoirists, conflict mediators and even preachers. Getting the facts accurate is only part of the challenge. Storytellers have to grapple with the most effective way to tell the story and what perspective to take or interpretive remarks to include.
Two years ago, blogger Christian Lander struck satiric gold by chronicling the interests and motivations of white people.
Lander’s valuable insight was that as members of a privileged majority
group, we tend to think of ourselves as simply part of the overall
culture—when in fact we comprise a racial subgroup like a
Filmmaker Nicole Holofcener is intrigued by problems. Not gigantic problems, such as asteroids hurtling toward Earth or the destruction of rain forests, but smallish personal problems: coping with a best buddy’s wedding, dealing with a pushy mother, realizing that you’re not as successful as your longtime friends.
Once there came a wolf so fierce he devoured not only lambs but goats and children.
The villagers armed themselves as if going to war but even their weapons could not save them from his teeth, so fear fell like a shadow upon Gubbio and sealed the village gates. Enter the saint: once a dandy, once a soldier, once a prisoner of war and war wounded, who embarked on the Fourth Crusade but on the way gave his sword and supplies to a beggar. Who can take you farther, the lord or the servant?
Saint whose father beat him and dragged him away in chains, saint who kissed a leper’s stinking hand and set out to embrace Syrian warriors, saint who negotiated an exchange with Sultan Melek-el-Kamel of Egypt during the Fifth Crusade. That saint sought and found the wolf’s hiding place, and there said, Brother, do not hurt me. You have committed crimes. You deserve to die. This town hates you, but Brother, I want to make peace between you and them, so they won’t be harmed, and when they have forgiven you, men and dogs will never chase you again. Brother, I know the evil you have done came only from hunger. If the people feed you, will you pledge never to harm a living thing? The wolf put his paw in the saint’s hand, then curled at his feet like a hound.
O friends, if beasts hold us in such terror, how much more do we fear the fires of hell? Turn to the One who frees you from wolves in this world and flames in the next!
For two years, the wolf wandered from kitchen door to door. No dog barked. No hand rose against him. Not one child ran from his gaze. When he died of old age, the villagers of Gubbio missed his kind patience. Who can take you farther, the lord or the servant?
Welcome Sister Death, said the saint when his own time had come and taking her hand into his palm, he drew her famished fist to his lips and slowly kissed her knuckles one by one. O, who can take you farther?
Here’s your Ash Wednesday story. A mother carries her tiny daughter With her as she gets ashed and the Girl, curious and wriggly, squirms Into the path of the priest’s thumb Just as the finger is about to arrive On the mother’s forehead, and the Ashes go right in the kid’s left eye. She starts to cry, and there’s a split Second as the priest and the mother Gawk, and then they both burst out Laughing. The kid is too little to be Offended, and the line moves along, But this stays with me; not the ashy Eye as much as the instant when all Could have been pain and awkward But instead it led to mutual giggling. We are born of dust and star-scatter And unto this we shall return, this is The Law, but meantime, by God, we Can laugh our asses off. What a gift, You know? Let us snicker while we Can, brothers and sisters. Let us use That which makes dark things quail.
Between 1990 and 2010, Iowa lost over 500 churches. The numbers reflect migration from rural to urban areas and the fewer number of people who identify with a faith community. The decline in churches is having a direct effect on the social fabric of the state. According to research at Iowa State University, nine out of ten rural people said they rely less on their neighbors than they once did. Surviving churches have gone back to older patterns to find leadership, engaging itinerant pastors or lay leaders. Some are surviving through cooperation with other denominations or with ethnic Christian groups (Pacific Standard, January 20).