The sweet and thrilling Pixar animated feature Up is a paean to the possibilities that remain in a life shadowed by loss and disappointment. It’s about resurrecting buried dreams and using the judgment acquired over a lifetime to modify those dreams.
Good lost word, succor. As an infant mouth pulls sweet need from the breast. Sucker: that child, or a loser. Or a gull— someone fooled. Gull’s a sea grace too, a diving shelter wing. Sucker: sweet on a stick. Sticky.
Dive and warm me, sweet Grace. Feed me, help me. Don’t fool me, don’t lose me. Be my succor. Stick to me.
I’ve seen the Kathmandu corpses, garlanded with marigolds, burned to a crisp, holy smoke sifting across the river, censing the air for the tourists. In Annapurna’s narrow lap this valley, chock full of bones, is too cramped for burials. Instead, the dead are loaded onto burn piles stacked with logs from the foothills, now naked and eroding, pillaged for ceremony, death gathering to itself more death up the slow gradient of necessity. Mourners chant. Mortality teaches our ears, eyes, noses as the little boats of skeletal ash and charcoal are launched, freed from the funeral ghats, to drift downstream.
Urged now to weigh the manner of my final dispersal, I’m not averse to incineration. But I confess this foolish comfort: to lie beside my husband in our grave—a double bed we chose together— the full, aged remnant of the body he loved, knowing heaven can pull together from earth or urn, from bones or ashes, whatever is needed for what’s next.
For nearly 75 years, travelers on the Pennsylvania Turnpike could pull off the highway and walk up the steps to St. John the Baptist Catholic Church to pray or attend mass. The church features rich wood and hand-carved accents, a beautiful staircase to a loft, and 14 Tiffany stained-glass windows. But the days of the “Church of the Turnpike,” 90 miles east of Pittsburgh, could be numbered. A highway widening project is under way that will permanently remove the legendary steps in two or three years (RNS).