Onion skin, they called those thin pages in our Bibles, translucent and strong. Finger smudge at the edges, pages shining over the layers that wait for understanding. After decades I taste them new, the onion sliced raw, tang of earth in my mouth.
Book of leaves, a tree in our house. My father brings it to the table. Before oatmeal and bread, the words like seeds drop down into a damp place. “The Lord giveth, the Lord taketh away,” blessed be the leaves turning in his hand.
My children, bathed and fragrant, lean against my shoulders as I read. They listen to the Shepherd who calls to them, who walks the edge of a cliff. They smell the burning bush, huddle with me as the glory passes over, as I cover them with these paper wings.
The stories walk out the door with us— Joseph dreaming, Ruth gleaning, Jesus in a boat, Jesus wearing thorns. Sometimes he gazes like a lion, stares down the marble aisles of churches through glass angels, out to the ruins we have made.
One red satin ribbon marks the place, cord of God’s desire for us sewn to the spine of the text. No matter where the scarlet falls, no matter which chapter or verse, it is relentless in pursuit, the prophets stumbling behind us, weeping and singing, the blind man seeing.
Veins in the leaves are traceries of Hebrew and Greek, hidden and sweet, stories from which we begin again. I smell roots and eat. “Blessed are those planted by the river.” I will sleep in threads of silk, for I have eaten the Book, and one day will emerge with wet wings lifting toward the white lilies.
Did God create the microbes, too? On which day did God say, “Let there be Brie”?
Are these, then, messengers of the Holy One— Clostridium Gabriel Difficile and Staphylococcus Michael Aureus? The seraphim Influenza and Pneumonia?
No drunk driver will take her away. No warriors wage this assault. No mugger, no terrorist, no drive-by shooter. No one to blame. No one.
Unlike the monotonic booping of her monitor And tweeting IVAC pump, Her ventilator pipes an almost merry tune From time to time, Like close encounters of some kind, While tiny creatures who, naturally, Dance in colonies on heads of pins, Swing, Lo, to carry her home
Wendy Carroll (Michelle Williams) is a homeless woman driving cross-country with her dog, Lucy, and sleeping in her car at night to save money and stay warm. One morning, her car won’t start. Her funds are limited, and she finds herself at the mercy of the local mechanic (Will Patton). She panics and shoplifts some dog food. She is caught and arrested.
For a practice to qualify as “evangelical” in the functional sense means first of all that it communicates news. It says something particular that would not be known and could not be believed were it not said.
The diaries of World War I poet Siegfried Sassoon have been digitized and made available to the public by the University of Cambridge. Sassoon, a British soldier, was quickly disillusioned by the war and became an outspoken war critic. His diaries feature poetry, prose, and drawings and include his 1917 antiwar “Soldier’s Declaration,” which got him committed to a hospital for the duration of the war. He described the first day of the Battle of Somme as a “sunlit picture of hell” (BBC, July 31).