Recorded in a converted New Orleans–area church over six days, Redemption is a jambalaya of Chicago blues, New Orleans funk, and robust soul. On the standout “Chariot,” Glen David Andrews’s voice rises with gritty passion as he trails into the song’s tag, borrowed from the spiritual “Sweet Home Chariot”:
To fully celebrate the life and legacy of Maya Angelou, we must contextualize her 86 years of living within the black religious traditions that influenced her and birthed her deep spirituality. While countless scholars have analyzed her literary, political, and cultural contributions, few have situated her work within the scope of black religious life, particularly the African-American Christian tradition.
On the mostly instrumental Pieces, JoyCut takes the sonic hallmarks of the 1980s New Wave era—from shimmering, echo-plastered guitars and propulsive picked bass to dysmorphic synthesizer pads—and reconfigures them in thrilling fashion.
Representations of Christian life that are sympathetic, plausible, and interesting are rare enough in popular media to deserve notice. That’s one reason to be a fan of the British series Call the Midwife, now in its third season on public television.
There are no plumy accents when traveling by coach, just ordinary people going about extraordinary lives. The bus grinds through small, forgotten villages, stops for elderly women with rheumy eyes dragging plaid shopping trolleys, stops for old men under flat woolen caps, hearing aids at odd angles whistling in their hairy ears, stops for weary young mums with impossibly complex prams. We bump by sodden fields of sheep, into market towns no longer proffering produce, only plastic. Yet three times on this journey I have seen standing stones, great, gray plinths alone in fields, reminders of time immemorial, reminders there is more than what appears to be. They watch us hurtle by.
“Our best college students are very good at being critical. In fact being smart, for many, means being critical,” says Wesleyan University president Michael S. Roth. In the last half century an emphasis in education on inquiry has been reduced to exposing error and undermining belief. Not only does this stance not get college graduates very far later in life, “fetishizing disbelief as a sign of intelligence” has diminished our culture. Liberal learning, argues Roth, should have an equal commitment to finding meaning in culture and becoming absorbed in creative and compelling work (New York Times, May 10).