I ordered Garrison Keillor’s Life among the Lutherans as soon as I heard about it. Who could resist a title like that? Besides, in a way, it is a description of my life. Lutherans consistently have been important in my life.
I am fearfully made and I imagine the sleek curves of my kidneys and the round red onion shape of my bladder. I will never see those parts with their perfect forms, their elegant overlaps sealed in my skin. All I know is their transparent function, or its change, or that blind nerve dance we call pain.
I will never see those long pale ropes that take my food and turn it to steps or speech. All I know is the wonder of containing such exchange, that lets the morning eggs and the noon bread rise as song in the kitchen, laughter in the back yard, rise as indignation, care, or grieving, rise as love or longing or belated thanks.
I read The Catcher in the Rye when I was in college. J.D. Salinger’s book, published in 1951, has sold more than 65 million copies and still sells 250,000 a year. Catcher became required reading for a whole generation. The antihero of the book, Holden Caulfield, remains a cult hero for some.
Things go unnoticed around here while we do the important stuff the singing praying sermonizing baptizing. We don’t read the instructions want to get on with it insert the batteries push the button watch the screen light up. Script stage directions steps one two three are all fine print we think, or don’t until we find ourselves at home watching rain soak the garden and notice that the screen has gone dark. When is it that we turn to face the back of the church? Do we stand or sit at the Psalm and is there anything at all about bowing as the cross makes its leisurely progress? What words are to be said while earth is cast upon the coffin and who was it after all who was supposed to meet the body
Emma Sulkowicz, a Columbia University student, is carrying her mattress everywhere she goes as part of her senior visual arts thesis. Two years ago she was attacked and raped in her dorm room. Sulkowicz sees this performance art project as a way to show the burden sexual assault survivors carry everyday. Last year three women reported assaults by the same person; all three cases were dismissed by the university (Time, September 2).