Arts+Culture

Arts+Culture

We Are the Eighth Day, © Melanie Weidner

Poetry

Reunion

She’s on life support. Racing to get there,
his Jaguar fishtails on the frozen highway.
She was a beauty and elusive as the future,
his mother, usually traveling on his birthday.

He felt he couldn’t fly, had to touch dirt
every inch of the way. To fly would be
to unpeel too fast the onion of his hurt.

She’d call. He wouldn’t answer. He was busy.

Now it’s ice he notices, gray molars
locking to dark bluffs, the way ice locks his heart
in steely winter logic. Then sun shimmers
on ice, the lock breaks, and love flows. Relief,
oh melting! as he steers toward his mother.

The syllogism that still might end in grief.







Film

Crazy Heart

The title of Scott Cooper’s debut film, Crazy Heart, comes from a song by the movie’s protagonist, a country singer named Bad Blake (Jeff Bridges). At 57, Bad is an alcoholic and is shut down artistically, but he’s still working the road and hanging on. The song alludes to picking up his crazy heart and giving it one more try.
Poetry

Little hall

The labyrinth here, as well!
A canvas floor
copied from Chartres, brought through
the open door,

unfolds its whorl (and stains,
old wax gone gray
with candle soot or soles
that walk to pray).

Long formal curves begin
a common pace;
my shoeless feet take off
through living space . . .

So many rooms—for me—
a vast hotel—
eternity’s
reserved a little hall.





Film

Up in the Air

"We are not swans,” declares Ryan Bing ham (played by George Clooney), summing up human nature to a crowded conference room. “We’re sharks.”
Film

The Lovely Bones

Back in 1994, when Peter Jackson was a relatively unknown director, he made the small but brilliant Heavenly Creatures, a tale about an “unhealthy” friendship between two teenage girls in 1950s New Zealand that led to bloody matricide. It remains my favorite film by this extremely talented filmmaker.