We Are the Eighth Day, © Melanie Weidner


A review of The Melody of Faith

Guroian thinks that theology is more analogous to music than it is to architecture. The themes in this work, from creation to the resurrection, do not build upon each other like architecture, but rather are like motifs that provide a variation on a theme. To West­erners' ears these themes will sound as though written in a strange key.

On Art

Megiddo and Hazor

Sandra Bowden's art is a meditation on time and eternity based on biblical and archaeological sources. Megiddo (left) and Hazor (right) are two of four images from Bowden's series of intaglio collagraphs titled Israelite Tel Suite. The artist explains, "A tel is a mound covering the site of some ancient settlement, generally consisting of many layers of rubble and artifacts left by succeeding civilizations. Strata accentuated by horizontal lines divide the picture into three levels, forming a cross section of archaeological time. . . . centered in each piece [is] a significant specific object relating to the tel's history." From the creation of the plate through the one-by-one "pulling" of each print, the artist is engaged in an intensive process that exemplifies Marshall McLuhan's adage, "The medium is the message."

—Lois Huey-Heck


The Social Network

Directed by David Fincher

David Fincher's The Social Net­work, with a script by the mon­arch of machine-gun banter, Aaron Sor­kin (The West Wing), is a smart, funny film that tells the story of how Facebook came into being. It's a comedy of manners about a desperately uncool Harvard undergrad who creates the most popular club in the world and declares himself president.