Rima Fakih’s path from Lebanon to Las Vegas, where she was crowned Miss USA, is not unlike other immigrant success stories, but she stands out because of one notable first: she is very likely the first Miss USA who is Muslim.
Facing a reduced budget and a third round of layoffs, officials at Washington National Cathedral are considering disposing of priceless treasures—including a trove of rare books—that are no longer considered part of its central mission.
Adam is . . . scattered throughout the globe. Set in one place, he fell and, as it were, broken small, he has filled the whole world. But the Divine Mercy gathered up the fragments from every side, forged them in the fire of love and welded into one what had been broken. . . .
It’s unlikely that the rest of 2010 will turn up another movie as astonishing as Vincere, by 70-year-old Italian director Marco Bellocchio. It’s a historical drama that covers the rise of Benito Mussolini from his beginnings as a socialist in the days before World War I. But the protagonist isn’t Il Duce; it’s his mistress, Ida Dalser.
The challenge of telling other people’s stories is an occupational hazard for journalists, historians, memoirists, conflict mediators and even preachers. Getting the facts accurate is only part of the challenge. Storytellers have to grapple with the most effective way to tell the story and what perspective to take or interpretive remarks to include.
Mark Bustos, a stylist at an upscale salon in Manhattan, gives free haircuts to homeless people every Sunday, his only day off from work. He started the practice during a trip two years ago to the Philippines. The response was so enthusiastic that he decided to make the same offer in New York. Many of the people whose hair he cuts are very thankful. He especially remembers the man who, after seeing what he looked like with his new haircut, asked, “Do you know anyone that’s hiring?” (The Week, August 29).