Several weeks ago, Chipotle founder Steve Ells published a column headlined "Conventional vs. Grass-fed Beef." As you've probably heard, Chipotle prefers the latter—the fast-casual burrito chain has a lotto say about agricultural reform, ethical food, etc. But here the subject is more complicated than the title suggests: Ells was defending Chipotle's decision to stop buying exclusively domestic beef in favor of importing some of it from Australia, where the grass-fed supply is better.
It's a classic food-ethics connundrum: should you go with the higher production standard, or the food produced closer to home? Chipotle chose the former, a perfectly defensible choice if you just have the two.
Ministry is one of the only professions besides writing where a person has daily need for poetry. Poetry refreshes and renews language and adds insight to stories we’ve heard many times. It can be woven meaningfully into sermons, and it bolsters the human spirit.
But pastors often turn to the same poets over and over again, and time to explore new territory is limited.
A pet topic of mine is the tendency of some Christians to fixate on belief and its boundaries. You can't just state why you think belief in x, y, and z is important to Christian faith and life; you have to claim that those who believe x and y but not so much z are not real Christians. You can't just disagree with someone with a different view from yours; you have to stage an inquisition.
It frustrates me to see this all-belief-all-the-time orientation used to frame things as us real Christians vs. them fake ones. When people take a similar approach in drawing themselves outside the circle, it just makes me sad.
In 1401, under the patronage of the Arte di Calimala, a competition to decorate the east doors of the baptistery in Florence was announced. Of the seven Tuscan sculptors who entered the competition, the young Lorenzo Ghiberti, barely 20 years of age, emerged the victor. The subject of the doors was the story of the near sacrifice of Isaac (Genesis 22), and the theme was that of divine intervention. In this climactic scene, Abraham is poised to strike a fatal blow with his knife. Isaac is depicted as what some have called “the first truly Renaissance nude”—perfectly proportioned, energetic yet graceful. An angel’s gesture stops the sacrifice, and the viewer notices a ram caught in the thickets in the upper left-hand register. This text has long challenged communities of faith. Some Jewish interpretations, such as the Targum Pseudo-Jonathan, posited that Isaac was 37 years old, and the near sacrifice was an act of faith of not one but two consenting adults, both Isaac and Abraham. Christian interpreters from the patristic period (if not earlier; cf. Hebrews 11:17) had interpreted the story typologically. Melito of Sardis, for example, wrote: “For as a ram he [Christ] was bound . . . And he carried the wood upon his shoulders. And he was led up to be slain like Isaac by his Father. But Christ suffered, whereas Isaac did not suffer” (cf. Frag. 9–11).
where’s alfreddy who cuts your grass or lifts your rake when you’re not looking and where’s the reliable gunfire from the deuce-eights’ section eight doorways down on twenty-eighth on this last day of August lavender all rotted at the bottom splayed across the concrete walk as you sit barefoot on the porch steps and watch without a thought honeybees and bumblebees ascend and drop in praise of higher fragrances and offer thanks there’s no parade today for trayvon on your street named mlk jr way because you’re that weary
so for this moment with this breath you God bless the bees
“Our best college students are very good at being critical. In fact being smart, for many, means being critical,” says Wesleyan University president Michael S. Roth. In the last half century an emphasis in education on inquiry has been reduced to exposing error and undermining belief. Not only does this stance not get college graduates very far later in life, “fetishizing disbelief as a sign of intelligence” has diminished our culture. Liberal learning, argues Roth, should have an equal commitment to finding meaning in culture and becoming absorbed in creative and compelling work (New York Times, May 10).