Anyone with a taste for sharp satire will enjoy the wickedly funny 2003 film James' Journey to Jerusalem, which uses the familiar device of a wide-eyed Candide figure to expose the foibles of contemporary society—in this case, the state of Israel.
For American viewers, one surprising feature of the film is the background of James himself. He is a devoted African Christian. Clearly, the idea of African Christians in Israel is not considered even slightly strange in the film, and a moving scene shows James gathering with other immigrant believers in a crowded church. He moves in a transplanted African world that differs little from the better-known Christian expatriate communities of Europe.
Philip Jenkins is professor of history at Baylor University's Institute for Studies of Religion and author of The Great and Holy War: How World War I Became a Religious Crusade and The Many Faces of Christ: The Thousand-Year Story of the Survival and Influence of the Lost Gospels.