Veteran Italian director Ettore Scola begins his latest film, Gente di Roma (People of Rome), by following an older couple going through their morning routine—she preparing food, he dressing for work. Their apartment is small, so one camera covers their movements between rooms. The wife puts coffee on a counter, the husband sips it while she packs his lunch in brown paper.
It is still dark when the husband begins his long bus ride into the city. The camera lovingly examines the streets and neighborhoods which are slowly awakening in the dawn light, the people of Rome moving into a new day.
When the man arrives at his destination, he walks through a park and sits down on a bench. Soon he is joined by a companion who asks, “Have you told her yet?” He answers, “No, have you?” Both men have lost their jobs and do not know yet how they will live without the routine they relied on for so long.
A. M. Stroud III, a former prosecutor in Louisiana, expresses regret for the role he played in sending Glenn Ford to death row in 1984. “I was 33 years old. I was arrogant, judgmental, narcissistic and very full of myself. I was not as interested in justice as I was in winning.” Stroud says he presented dubious evidence from a forensic pathologist, precluded black jurors from the trial (Ford, since exonerated, is black), and ignored the fact that the appointed defense attorney had never before tried a criminal or capital case. “I . . . hope that providence will have more mercy for me than I showed Glenn Ford,” Stroud said in a letter to the editor of the Times of Shreveport. “But, I’m also sobered by the realization that I certainly am not deserving of it” (ABA Journal, March 25).