Families in spiritual crisis was such a dominant theme among the 26 films in competition at the Montreal World Film Festival that one suspected the selections committee was composed of zealous social workers. An Italian film, Casomai, directed by Alessandro D'Alatri, was especially appealing to the festival's ecumenical jury--three Protestants and three Catholics. It didn't hurt that Casomai features a wedding homily in which a priest brings judgment against forces that undermine family life--naming names, no less. Marriage, the priest insists, should be a community experience, not just a private union. The film's title, Casomai, can be translated as "almost never" or "an escape clause," suggesting the less than binding nature of modern marriage.
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