The Savages

There are few tasks more daunting for a filmmaker than straddling the line between comedy and tragedy. It is hard enough to establish a tone for a movie without the added challenge of making the funny stuff and the melancholy moments work together like the ingredients of a magic potion.

So hats off to writer-director Tamara Jenkins (her debut film in 1998 was the semiautobiographical Slums of Beverly Hills) for succeeding where so many other moviemakers have fallen short.

 

This article is available to subscribers only. Please subscribe for full access—subscriptions begin at $2.95. Already have an online account? Log in now. Already a print subscriber? Create an online account for no additional cost.

This article is available to subscribers only.

To post a comment, log inregister, or use the Facebook comment box.