David Dark searches for God in popular culture, considering film, television and rock music in his quest for what he calls apocalyptic, or revelatory, art. He claims that some pop culture, including films like The Matrix, functions as apocalyptic literature (which he defines as N. T. Wright does: “a way of investing space-time events with their theological significance”). Such art possesses many of the essential qualities of biblical parables: clarity of sight into the darkness of our world, a radical glimpse of the light beyond that darkness, and a call for revolutionary change. Dark points out that the early church was made up of revolutionaries, people who had rejected the existing political-economic order. The contemporary artists he considers do the same, giving hope to a generation of Christians frustrated with the status quo.