Reflections for

Palm Sunday, Apr 09, 2017

Liturgy of the Palms: Psalm 118:1-2, 19-29; Matthew 21:1-11


Liturgy of the Passion: Isaiah 50:4-9a; Psalm 31:9-16; Philippians 2:5-11; Matthew 26:14-27:66 or Matthew 27:11-54


Gone to grace

—in memory of the Reverend Malcolm Grobe (1931–2013)

Before Malcolm’s funeral got started,
I stood talking with John the blacksmith, who told me
He’d been spending some pretty hard hours
With a pair of two-year-old Friesian mares
Who’d never had their feet trimmed.
In a flash, I thought of a feral donkey
In Ireland, back thirty years,

Poor animal, lowly mount of the Christ,
Hobbling on hooves long as breadloaves.
This had nothing whatever to do with Malcolm,
But somehow it did, as it happened.
Malcolm had once pronounced me as husband.
A wonder. I’d gotten the girl,
More than the clumsy hero can fathom

When it crops up in sappy movies.
So Malcolm is part of a long, joyful marriage,
And the family it made, including
The children he baptized. One reading
Came from a funny note
He’d left for the pastor, which said in part:
“Non-judgment day is coming,

Beware.” I could virtually feel Malcolm’s voice,
Insisting as ever that God
Was too big to conform to anyone’s will.
There was no one so evil or ill
To have strayed beyond the Lord’s grace, he claimed.
He was frumpy and funny but mostly
Just good. An accomplished athlete as well,

Improbably fierce on the courts,
Although he loved his every opponent,
He’d wanted his ashes interred
In a tennis-ball can. It might seem absurd
That I conjured horse or burro,
But as we mourners chuckled and wept,
I imagined I heard soft words,
Malcolm’s, and knew his hand would have stroked

Those neglected, suffering creatures.
That funeral day, for all who were there,
Was so painful I’d almost swear
It hurt them to stand on God’s green earth.
For my part at least I wished
I could somehow walk for a while on air.

On Art

St. Ann Christ (with detail), by Chris Scala

While many artists seek to convey a sense of the layers of suffering and anguish in the Passion of Christ, few consider what the medium itself conveys. This life-sized sculpture appears weightless, and it radiates light and lightness. “In the context of my artworks,” Scala writes, “the use of partially transparent wire fabrics allows the examination of the underlying structure of the subject. By shaping Christ’s image into a hollow form and introducing gold to the surface, the sculpture takes on a transparent and yet reflective character.” 


Revised Common Lectionary © 1992 the Consultation on Common Texts. Used by permission.