Jan 09, 2014
Art selection and comment by Lil Copan
Artist and illustrator Rick LaMarre imagines what the disciple Peter would do the day or two after denying Jesus. Would he return to fishing, the world he knows? Would he go fishing but find himself unable to focus on the work? “What do you do between the time when you blow up your whole world and the time when God rescues you?” wonders LaMarre. “How is it when faith is the only thing you have, yet you feel you don’t even deserve that?”
First, use four similes to describe the lake: Grinnell Lake is like . . . a threshold . . . a turquoise . . . wings arching open . . . a nest.
+++ At the end of the boardwalk over red-rock streams, beyond the suspension bridge, the waterfall, the long hike, my feet on fire empty into the lake: home. Icy aqua iridescence, perfection of mountains, these trees.
Now use four metaphors: the lake is . . . reality . . . exquisite balance . . . a window . . . a cup filled with sky.
+++ In the lobby of the grand hotel miles below hang beautifully framed old photos. Grinnell Glacier, a wisp above us now, was enormous a century ago, its lake many times smaller.
How can we protect the earth but by drawing close, by falling in love? The lake is the glacier melting too fast. The lake is the waters from Jesus’ pierced side. The lake is the face of the love that saves us. How can we love the earth but by falling . . . in?
While many artists seek to convey a sense of the layers of suffering and anguish in the Passion of Christ, few consider what the medium itself conveys. This life-sized sculpture appears weightless, and it radiates light and lightness. “In the context of my artworks,” Scala writes, “the use of partially transparent wire fabrics allows the examination of the underlying structure of the subject. By shaping Christ’s image into a hollow form and introducing gold to the surface, the sculpture takes on a transparent and yet reflective character.”