Wes Sherman's abstract work, inspired in part by Olivier Messiaen's La Nativité du Seigneur (The Nativity of the Lord), is on exhibit at Grace Church in Newark, New Jersey. In January this piece of art was rearticulated musically, as organists Joseph Arndt and Michael Hey played Messiaen's work and invited the audience to engage both visually and musically. Sherman's collaboration with Grace Church is one in a growing number of cross-genre collaborations taking place in arts and faith communities. Sherman's nativity scene is informed by Piero della Francesca's The Nativity (1475) but rendered in an abstract and contemporary vision—something like Messiaen's music, which gives traditional musical forms contemporary and mystical expression.
years ago I received from a parishioner a "Jesus Is the Reason for the Season"
cookie tin. Every time I reached for a piece of Doris's divinity, I had to read
that cheery-angry motto of Christian moralism.
I was visiting the traditional site of Good Friday and Easter: the Church of the Holy Sepulcher, an imposing, exotic, heterogeneous amalgam of interconnected buildings in the Old City of Jerusalem. Oversight of the building complex is rationed out to the Greek Orthodox, Eastern Orthodox, Roman Catholic, Armenian Apostolic, Coptic, Ethiopian and Syrian Orthodox communions.