The Colorful Apocalypse is a poetic written documentary that can be read in one sitting. The outer layer of the book is Greg Bottoms’s portrait of three “outsider” artists: Howard Finster, William Thomas Thompson and Norbert Kox. These men are not quaint, folksy artists painting barns on old milk cans.
Anyone who is still pondering the post-9/11 question “Why do they hate us so much?” will find no simple answer in Akbar Ahmed’s intellectually engaging and passionately written book, but they will find a complex web of persuasive reasons.
“Life is a journey” is both a certainty and a cliché. Young recaptures and deepens the image by describing five stages of the journey: wilderness, wrestling with God, the self-emptying way of Jesus, encountering the “other” in the stranger and the exile, and desire that is both frustrated and fulfilled.
This volume of essays explores evangelistic growth where it is coupled with liberal or progressive theology. The strongest chapters outline new sociological data or paint panoramic views of discrete segments of the church. The editors’ diagnostic reflections on the nature of liberal churches are wonderful.
In his 14th novel, Don DeLillo addresses universal themes through the particularity of two lives affected by the events of 9/11. The omniscient narrator flits between Keith Neudecker and his estranged wife, Lianne, as they try to come to terms with the personal and national trauma of that day.