Video installations at museums and galleries evoke fascination and unease. Often we are torn between our desire for a traditional cinematic experience and curiosity about something deliciously unfamiliar. In Landscapes, Illinois artist L. Ashwyn Collins presents overly amplified sound coupled with spare visual planes. As from a distance, we watch a solitary soul walk across one screen and return back through the other screen in unexpected close-up. The use of slow motion undermines expectation (and increases desire and anxiety). The slower the work becomes, the more viewers become aware of an interior tension. "One of the goals of my work," Collins writes, "is to unsettle the viewer's expectations and visual confidence—to make art that surprises."