This article is available to subscribers only.

The idea for Girt came to Lanie Gannon when she saw Serbians fleeing their war-torn villages “with nothing but what they had strapped on their backs and what they had strapped to their wooden carts.” All that is left is the person, the head bound to the cart that moves into exile. “The head is a mystery that can never be solved, an eternal puzzle, vested with all the questions that I wrestle with. The head or bust is a crossroads where external, social and internal realities meet and mingle.” She understands her work as an artist as “offering yourself as a witness to something you’ve heard or seen in cases of wrongdoing.”

 

This article is available to subscribers only. Please subscribe for full access—subscriptions begin at $2.95. Already have an online account? Log in now. Already a print subscriber? Create an online account for no additional cost.