Article image

A Promising Venture 2 (1936), by Noel Vicentini. Photo courtesy of Hancock Shaker Village, Pittsfield, MA.

Connections that last

Whenever I visit my parents in Kentucky, we make the rounds of our holy places: first, a visit to our favorite bookstore; next, a trip to the Abbey of Gethsemani for vespers and compline. Then we visit the Shaker Village of Pleasant Hill, a living museum known to the locals as Shakertown.

Like Shakers everywhere, the Shakers who made their home in Kentucky sought to create a paradise. They shared their goods communally. They practiced equality. They lived celibate lives so that erotic attachments would not hinder their common life. They worshiped God with dances taught to them by angels in dreams and visions. And they created buildings, tools and furniture that are works of art. As Thomas Merton wrote, what makes a Shaker chair so beautiful is that it was made by “someone capable of believing that an angel might come and sit on it.” The creation of every room, every staircase and every table was, for the Shaker craftsperson, a prayer.


This article is available to subscribers only. Please subscribe for full access—subscriptions begin at $2.95. Already have an online account? Log in now. Already a print subscriber? Create an online account for no additional cost.

This article is available to subscribers only.

To post a comment, log inregister, or use the Facebook comment box.