Kubrick’s search

Rarely does blatant commercial hypocrisy sit so close to artistic excellence as was the case at the Hollywood screening of Stanley Kubrick's final film, Eyes Wide Shut. Critics were invited to see two versions of a 65-second segment of an orgy sequence, one as originally shot by Kubrick, and another with some of the explicit material blocked by computer images so as to remove the film from the dreaded NC-17 (adults only) category. As Warner Bros., the film's distributors, must have known would happen, many of the more influential critics—Roger Ebert of the Chicago Sun Times and Janet Maslin of the New York Times, most notably—dutifully informed readers that they were being deprived of art and that the First Amendment had suffered a blow. Balderdash.

 

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