The documentary Chaplains raises a fundamental issue for Christian chaplaincy: what is its relationship to the church?
Kathryn Reklis reviews film, TV, and more
It could have been any academic conference—except that Catwoman was on my left and a fully dressed hobbit was on my right.
I just got back from Disney World with my kids. The trip set me thinking about how stories get told and passed on.
NASA is, to say the least, enthusiastic about The Martian. The film is a really, really good commercial for a future budgetary request.
It's hard to watch Straight Outta Compton and not think of #BlackLivesMatter. But this is not explicitly a movie about politics or race.
Theology and advertising share the same root.
A screen in a sanctuary used to be a signal that a congregation had taken a side in the worship wars. Now it's just a sign that a church is open and functioning.
Religious satire was once an edgy form of humor celebrated by rebellious teens. Now it’s attracting adults who buy theater tickets.
Do Trainwreck and Catastrophe herald a resurrection of the rom-com genre? Or merely a grotesque reanimation?
Augustine said the lesson's content is not as important as the teacher's desire. Passion is what instructs—and I'm teaching my children Star Wars.