Military action against Iran is unwarranted and unwise: one, a nuclear threat is not imminent. Two, the U.S. and Israel’s military superiority should discourage Iran from aggressive action. Three, the destruction of Iran’s nuclear facilities would be difficult: they are widely dispersed, with many in underground bunkers. Four, Iran has the means with which to retalliate. Five, Iran could embargo its oil and plunge the world into deep depression. Finally, military action would strengthen hardline Islamists (Richard Falk, the Nation, Feb. 13).
What should U.S. immigration policy be, given that half a million immigrants enter the U.S. illegally each year and the total number of undocumented residents in the country is about 11 million? For the far right, the answer is obvious: close the borders. This view is regularly touted on Fox News, where commentators decry the porousness of U.S. borders, argue for stepped-up policing—perhaps even a fence along the entire U.S.-Mexico border—and for a crackdown on those who employ or aid undocumented migrants. They imply that illegal immigrants must be sent home. Read the CENTURY editorial.
Sometimes I’m watching TV news and reach the point where I cannot take in all the violence and destruction. So I turn off the television and try to get involved in something that will take my mind off the news. God, however, does not have that option. God does not have a remote control to change the channels. God cannot move to the suburbs or close a door to hide from the violence. God’s eyes are not averted. God’s heart is not numbed.
The French film Caché (“Hidden”) is a stylish thriller tiptoeing around a psychological drama that lurks inside a political allegory. This is typical of the work of Austrian writer-director Michael Haneke (Code Unknown), who enjoys presenting confrontational films in which seemingly normal folks leading normal lives turn out to be not very normal at all.Caché, which won the Best Director Award at last year’s Cannes Film Festival, stars the enigmatic Daniel Auteuil and the luminescent Juliette Binoche as Georges and Anne Laurent. He hosts a television talk show about books; she is a writer who works in publishing—until an anonymous two-hour videotape interrupts their lives.