As generations of coaches have delighted in pointing out, defense wins games. But we’re very far behind in the global warming game.
Four Tar Sands Blockade young people showed up at church one Sunday. They were hungry for fellowship and encouragement—and just hungry.
On Sunday I attended a worship service at which the air was heavy with a sense of loss. But I saw the church being the church at its best.
In the wake of the Newtown shooting, political will is growing to do something about guns. People are moved to act—and we must act.
Jack Anderson is every pastor’s dream elder; he's served the church in countless ways. The only thing he wanted in return was to be my friend.
I work remotely, out of my home office. As such I am dependent on the smooth and ready operation of computer equipment. Recently I encountered some hitches.
Philip C. Kolin is one of the growing tribe of very fine Christian poets whose work has often been sequestered in the limited venues of independent publishers. His newest collection is a beautifully printed, small hardcover volume that fits comfortably in the palm of the hand. But these are not small or comfortable poems.
Douglas Hall is likely the most influential North American theological interpreter from a Reformation perspective, especially with reference to Luther. He continues to filter his thought through his teachers Tillich and Niebuhr—but he is his own man and carries his inquiry toward the demise of Christendom.
John Lennon's peace anthem "Imagine" can also be seen as an antidiversity hymn. Brian McLaren imagines something different.
Viewers don’t look to James Bond movies for profundity. Mostly they go to see buxom babes (now brainier and badder) and gravity-defying vehicle chases. But the most recent Bond installment offers some pertinent comments on technology.
While many of his contemporaries have ossified, Neil Young claws at the marrow like a deranged miner, digging deep in ways that confound expectation. He launches his new double album with a track that’s almost 28 minutes long—and that largely revolves around two chords. It’s one of three songs on this nine-track effort that top 16 minutes.