Guroian thinks that theology is more analogous to music than it is to architecture. The themes in this work, from creation to the resurrection, do not build upon each other like architecture, but rather are like motifs that provide a variation on a theme. To Westerners' ears these themes will sound as though written in a strange key.
have a friend who washes windows for a living. I don't know what he used
to do. According to him he raised horses, made a lot of money, owned
everything he wanted and drank heavily. He more or less stumbled into
Jesus through an introduction from another friend of mine, an Adventist
pastor. Now he and Jesus are tight, he's been sober for five or six
years, and he
While I was writing this review, I came across a statement from the managing editor of Christianity Today, who wrote that his magazine offers "independent journalism about an important niche of American Christianity." He went on to say, "We are the 'new mainline,' a principal voice of Protestant Christianity in America."
I readily admit that readings such as today's gospel make me a bit
uncomfortable. When Jesus starts talking about being "cast into hell"
or how "whoever blasphemes against the Holy Spirit will not be
forgiven," I struggle to fit this in with other images of Jesus eating
with tax collectors and sinners, with his call to love and pray for
your enemies. Perhaps, as a modern "liber
What do Christians mean when they say that God is love? How do we answer that question in a dialogue between Muslims and Christians, which is to say, in a tension-filled intellectual space of wrestling to understand and articulate our similarities and differences with regard to what it means to love God and neighbor?
During his only visit to America, theologian Karl Barth in 1962 visited three prisons: Bridewell House of Correction in Chicago, San Quentin in California, and Rikers Island in New York. He called Bridewell “Dante’s inferno on earth” and said it was a contradiction of the wonderful message on the Statue of Liberty. Barth wondered aloud why theologians weren’t denouncing the deplorable conditions in American prisons, calling out Reinhold Niebuhr in particular (Jessica DeCou, “The First Community: Barth’s American Prison Tours,” in Karl Barth and the Making of Evangelical Theology, Eerdmans).