You can call Keb’ Mo’ a lot of things, but “unpredictable” isn’t one of them. His blues tradition is more down-home than hard-charging, more Delta than Chicago. His 11th album is basically more of this, and as usual it sounds great. Keb’ Mo’ doesn’t reinvent himself. Keb’ Mo’ plays the blues.
On the Söderberg sisters’ third album and their second with producer Mike Mogis, the sound is bigger and lusher, even utilizing strings and winds at times. But it remains rooted in ’70s folk rock, straight-ahead and fingerpicky and richly effective.
Chris Thile is equally committed to the mandolin—that oh-so-traditional instrument he plays so uncommonly well—and to progressive stylistic exploration. Often this makes his projects come off a bit cute, the Harlem Globetrotters of acoustic music. On paper, this audacious new crossover project—Thile playing J. S.
Many current meanings of spirituality have nothing to do with the spiritual or the spirit, but Lucy Bregman doesn't write them off. Instead, she wants to find out what "makes spirituality so appealing."
First Church in Somerville, Massachusetts, went from an attendance of 35 to 130 in ten years, with as many as 350 people showing up for Easter. In a chatty, somewhat repetitive manner, Baskette shares the many little things the church did to turn things around.