Sins of the fathers
Through the decades filmmakers from assorted countries have attempted to probe the inner lives of the clergy. Pastors' lives have been approached in hushed tones, as in Ingmar Bergman's Winter Light (1963); with compassion, as in Robert Bresson's Diary of a Country Priest (1950); and with a cutting edge, as in Luis Buñuel's Nazarin (1958). In 1994, a new wrinkle was added to the holy cloth with Antonia Bird's Priest, which not only addressed the issue of celibacy in the Catholic Church but zeroed in on homosexual love.
This article is available to subscribers only. Please subscribe for full access—subscriptions begin at $4.95. Already have an online account? Log in now. Already a print subscriber? Create an online account for no additional cost.