Merging a love story with a political thriller is a daunting challenge for a filmmaker. I remember seeing Warren Beatty's Reds in 1981 and thinking that while the John Reed-Louise Bryant love story was engaging, Beatty could have used help from someone like Constantin Costa-Gavras in staging the scenes of political revolution. When I saw Costa-Gavras's Missing just a year later, I was impressed by the high-tension scenes on the streets of Chile, but underwhelmed by the personal dramas. Perhaps he could have used the input of someone like Beatty.
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