On August 1, 2009, The Mobile Press-Register published an article written by Greg Garrison of the Religion News Service entitled, “Heaven? Sure. Hell? Not so much.” Shortly thereafter, a parishioner of ours brought in a copy for me and wondered aloud, “Why don’t we talk about hell any more?” It just so happened that the answer to his question appeared in the teaser quote right at the top of the article.
As I was setting the table for their special dinner, my son snatched his baptism candle out of its holder and playfully held it in front of his mouth as if to bite. Coyly offering one of his beloved kidisms, he teased: “Does it taste?”
Our assignment last week in my poetry class was to write a sonnet–English or Italian, our choice. But when it comes to sonnets, that, in many ways, is where the freedom seems to end. You can’t write as many lines as you want (has to be 14, of course). You can’t make it rhyme–or not–however you might like (must be abab, cdcd, efef, gg for the English kind). Line length is non-negotiable, too:five “feet” of “iambs” (unstressed syllables followed by stressed ones). Sonnets and the poets who write them take their metrics very, very seriously.
This election cycle has included enough religion-related bickering for a lifetime of elections — there was “Pulpit Freedom Sunday,” Mormon bashing, continued ignorance of President Obama’s Christian faith, and Billy Graham’s surprising endorsement of Mitt Romney (orchestrated by son Franklin?). Even though much election rancor softens after election day, our deep divisions do not simply disappear on November 7. We may take down our yard signs, but we will still be divided.
How could I help but notice? She flapped her fingers in front of her face as the choir sang, waving her hands spastically, tilting her head to the tune. When the singers paused during verses, she stopped and slumped forward, dark hair falling over her eyes.
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