American evangelicals and mainliners often seem worlds apart when it comes to engagement with social issues. Take prisons as a case in point. The rhetoric diverges along the lines that one might expect: mainliners rail against the American mass incarceration system, the new Jim Crow that locks away minorities and the poor and is sustained by in-prison private labor and for-profit facilities. They want to fight this sinful system through activism (protests and petitions), academia (lectures and scholarly books), and artistic endeavors (photo essays and poetry).
Long before Sarah Palin met CPAC and the Duck Dynasty clan discovered A&E, George Gallup Jr. famously declared 1976 the “Year of the Evangelical.” Subsequent commentators often pluralized “evangelical.” They might have done the same for “year,” too. In many years hence—1980, say, or 2004—it was 1976 all over again, to judge from the headlines. Those election years highlighted the Christian Right, a force that was not on Gallup’s radar screen back when Jimmy Carter was the prototypical evangelical in public life.
The years of the evangelicals were not only about campaign politics, however.
As Easter approaches, raising the dead is at the forefront of my mind. But I think of a different vision of resurrected dead, zombies. The popular monsters reanimate as gruesome bodies; their essential natures, spirits, or souls are absent. Zombies are a reckoning of the horror of the dead coming back to life.
The Sportsman Channel touts its newest series, Amazing America with Sarah Palin, in a three-minute video making the rounds on social media. The video, a recording by “the most patriotic band in America,” Madison Rising, contains rousing lyrics, while a variety of activities flash by in rapid succession: men fighting fires, men shooting guns, women shooting guns, men running with bulls, men riding down zip lines, cars racing, and Sarah Palin on a dogsled pulled by pink-booted sled dogs.