You probably won’t hear Greg Laswell's songs in church. You’re more likely to catch them on the radio or in the background of a particularly intense moment of shows such as Grey’s Anatomy, Glee, or The Carrie Diaries. Yet his songs animate the highs and lows of my spiritual journeys. I’ve also started using them in my U.S. religious history courses.
The United States and the Catholic Church share some intriguing similarities: both are global in reach, exert significant influence over hundreds of millions of people, and (perhaps most interestingly) make serious teleological claims. Such claims have not necessarily clashed, for they appeal to different social and moral aspects of humanity. At their best, they can be complementary empires of promise.
Satan has had an awfully good 2014. He might get a statue on the grounds of the Oklahoma State Capitol. Actually, he probably won’t, but the New York-based Satanic Temple has proposed to have the goat-headed image of Baphomet built so that it can be seen by all visitors to the state’s seat of government.
For scholars on race in The Church of Jesus Christ of Latter-day Saints, nothing in a recent official article on race and the priesthood was new. The forthright treatment of the subject, however, including repudiating myths that had been used to legitimate the ban on black men from the priesthood until 1978, was a matter of rejoicing for many longtime advocates of racial equality within Mormonism. The heroes of this story, however, are the black members of the LDS Church who refused to leave despite being afforded second-class status.
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