I’ve become a loyal viewer of the ABC drama Nashville. The story sort of comes and goes—here it’s a subtly observed relationship drama, there it’s an off-the-rails primetime soap—but it’s perhaps the first TV musical with consistently great music direction, and some of the performers are pretty good, too. So I wait the silly story lines out and keep watching.
Last week’s episode followed young country star Juliette Barnes through the aftermath of her confrontation with a conservative Christian protester.
Last Thursday's David Brooks column is a classic of the genre: moderate in rhetoric, conventionally conservative in substance, a presenting interest in policy behind which lurks a fixation on politics and the grail of bipartisanship.
This week, the Senate very nearly advanced an extension of unemployment benefits, but it couldn't quite get it done. While some congressional Republican favored an extension if it were offset by spending cuts elsewhere, a popular conservative argument holds that people who have longer access to unemployment benefits will take longer to find a job. The well-worn implication: why work for a living when you can get literally hundreds of dollars a month for free?