The whole Kony-video thing seems to be over. Most of the
millions of viewers watched the half-hour film about Joseph
Kony right after Invisible Children released it. The group's action
kits are sold out. Lots of thoughtful criticism has been written and widely shared.
Yet I keep coming back to it, because these
conversations have revolved around questions I wrestle with regularly as a
missionary in Nicaragua.
It's Thursday afternoon or later, and Sunday is coming. For a pastor, the push is on to compose a sermon with application that's relevant to its hearers, along with compelling stories that illumine the connection to daily life. I do not disparage these pressures; I know them myself.
and Nicodemus might as well be speaking different languages. Jesus speaks of
birth from above; Nicodemus is befuddled. Jesus speaks of the spirit as wind
blowing where it will; Nicodemus wonders how this can be. They are like a
creationist and a paleontologist comparing notes on fossils--they simply can't
fathom each other. Their organizing assumptions are too different.
when we sense that Nicodemus begins to understand what Jesus is saying: when
Jesus reinterprets the story of Israel in the wilderness, drawing from the
language that has oriented Nicodemus's life and thought. It doesn't seem
likely, after all, that the series of puzzling metaphors Jesus begins with
would push Nicodemus to understanding. But something clearly does.
When Stacy Johnson Myers of First Congregational Church in River Falls, Wisconsin, asked illustrator Amy Sands to create 36 images of Bible scenes for the congregation’s faith formation, the results were vivid and engaging. Now Myers has collaborated with Kathryn Brewer to create three books of these colorful images. “There are different kinds of darkness . . .” begins Light in the Darkness, which tells biblical stories from creation through Pentecost with a focus on God’s covenantal relationship with the world. Many congregations across the country are now purchasing copies of the books and prints of the artwork from the congregation’s website (firstchurchrf.org, October 4).