I have found myself dreading Facebook lately. With the general election beginning to churn, the competing posts are out: “Evidence of Obama’s socialist conspiracy!” “Republicans plan to inspect every woman’s womb!” Some are rather scary while others I quietly cheer; still others simply draw me into grief over how little Jesus seems apparent in any of it.
As a teenager I occasionally had moments of spontaneous helpfulness. I’d wake up and say to myself, “Today I am going to clean the kitchen for Mom.” Deeply satisfied with my initiative, I would spend the day soaking in the satisfaction of being a wonderful son. Then I’d return home from school and my mother would greet me, ask how my day had gone and tell me she needed me to clean the kitchen.
The General Conference of the United Methodist Church convened in Tampa last week. I’m not one of the 988 delegates who have descended on Florida to do the work of our church, nor of the 4,000 hosts, bishops, pages, translators and myriad lobbyists there to help. My participation is limited to following the proceedings from 1,000 miles away.
Still, my emotions have been all over the place. And judging from Twitter and Facebook, this roller coaster of highs and lows is almost universal among those who are there. The stakes feel high this year, higher than usual.
In the story of Philip and the Ethiopian eunuch, I have always been struck by the pronouncements of Philip’s boldness. As a young Christian, I was often called to this kind of boldness: to go out to the stranger and the foreigner and declare the good works of God.
But revisiting this passage I am struck by how weak Philip is--and how necessary this is to his ministry.
Our oldest son was baptized when he was six. For two years before that he’d been asking questions about who God was and praying prayers of his own making. So his mother and I set him upon the road of discipleship.
When Stacy Johnson Myers of First Congregational Church in River Falls, Wisconsin, asked illustrator Amy Sands to create 36 images of Bible scenes for the congregation’s faith formation, the results were vivid and engaging. Now Myers has collaborated with Kathryn Brewer to create three books of these colorful images. “There are different kinds of darkness . . .” begins Light in the Darkness, which tells biblical stories from creation through Pentecost with a focus on God’s covenantal relationship with the world. Many congregations across the country are now purchasing copies of the books and prints of the artwork from the congregation’s website (firstchurchrf.org, October 4).