It was the spring of 1988. We had rounded the corner of the liturgical year again, and although I'd preached Easter sermons many times, I was feeling relieved that I was not preaching the Easter service that year. Senior minister Thomas Allsop would preach to the throngs of parishioners and visitors at historic Beechgrove Church of Aberdeen, Scotland.
I remember a film about Doubting Thomas that I saw in Sunday school as a girl. It was one of a series that our church showed us: the Bible story was read while a sequence of tableaux ran on the screen—it was not a motion picture, really, but more like a slide show. The actors were all attractive people with earnest expressions, and their faces stayed on the screen for a long time while the text was read. Sometimes the camera would zoom in, so that we could get a really good, long look at a particularly earnest expression.
I think I would find it all a bit too much if I were to view it today. But this was a long time ago.
The familiarity of the great texts of the New Testament can obscure the achievements of their writers. In its first three verses, the First Epistle of John joins "the eternal life that was with the Father" with the physical presence of Jesus, who has been seen with eyes and touched with hands.
When Stacy Johnson Myers of First Congregational Church in River Falls, Wisconsin, asked illustrator Amy Sands to create 36 images of Bible scenes for the congregation’s faith formation, the results were vivid and engaging. Now Myers has collaborated with Kathryn Brewer to create three books of these colorful images. “There are different kinds of darkness . . .” begins Light in the Darkness, which tells biblical stories from creation through Pentecost with a focus on God’s covenantal relationship with the world. Many congregations across the country are now purchasing copies of the books and prints of the artwork from the congregation’s website (firstchurchrf.org, October 4).