Back in the dark ages of the 20th century, I remember an ad for the Yellow Pages that urged, “Let your fingers do the walking.” Now that texting has become the preferred means of communication, it seems our fingers actually do the talking.
I’ve been thinking about the complexity of communication with God, especially the challenge of praying at times when words are hard to come by. In response to such a dilemma, Paul essentially tells the Romans to let the Spirit do the talking.
Somewhere in my queue of non-time-sensitive articles to write—yes, it’s been there a while—is one on the history and practice of making theologically significant changes to traditional American songs. Not just line-level edits like neutering/diversifying gendered language or using “love” in place of “wrath.” I mean re-imagining songs in a thoroughgoing way, while also preserving much of the existing imagery and language patterns. (I posted some time ago about one historical example.)
I write songs and play traditional music, but I haven’t actually tried this approach myself.
Martin Boehm was a key player in founding the United Brethren in Christ denomination, one of the precursors of the United Methodist Church. More than 240 years ago, Boehm was excommunicated after having a Wesleyan-type spiritual awakening that led to his preaching to people outside of his Mennonite church. Pennsylvania Mennonites recently denounced “the small-mindedness of religious thinking” that led to Boehm’s ouster, restored his Mennonite credentials, and asked local United Methodists forgiveness for their spiritual forebears’ narrowness (UMNS, June 27).